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Happy Birthday Amma!

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Happy Birthday Amma


What if I answered the door and you stood there,


Adjusting the jasmine strand on your plait

Smiling, chuckling, teasing

As if you’d never been away?



What if I answered the phone and you said ‘Hello?’

The smile radiating through your voice

Entering my ears and warming my heart

As if you’d never been away?



What if I turned a corner on the street

And ran into you as you’d turn and say

‘Shall we buy this?’

As if you’d never been away?



What if I watched the sunrise

And turned around to see you next to me

Saying ‘It’s beautiful isn’t it?’

As if you’d never been away?



What if I sat with a frown and

I suddenly feel your hand on my head

And hear you say, ‘Silly little worrier!’

As if you’d never been away?



It’s not wishful thinking I know,

I’m sure there’ll come a time

When the ‘what ifs’ will become ‘it is so’

At a special place where people don’t go away



Until then, Happy Birthday!

I’ve couriered a toothy smile and a happy thought

(For you wouldn’t accept anything less)

On a ray of dancing sunlight



And I cherish your response

In Hamsa’s eyes

And in my own breath.










Draupadi's Monologue

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Courtesy - http://en.wikipedia.org

I know you remember me for that one incident. I'm not the last one to be disrobed though, is it not? Thousands of years later, you lot are still doing the same. How can you say you have changed? Progressed? You’ve just had an illusion of movement – but you remained at the same place.

Anyway there’s more to my life you know? There’s more you need to learn from my misfortunes. Unfortunately, you don’t. You choose to look for miracles and justifications instead.

It is said I was not born the biological way. No I was the result of a yagna performed by my adopted father King Drupada. My parent is Agni technically speaking, because I emerged from the sacrificial fire, along with my brother Drishtadhyumna. Actually, King Drupada was praying for a son who would take revenge on Dronacharya – the latter had defeated my father and had taken away half his kingdom. So my brother promptly vowed revenge and promised to kill Drona. But then Drishtadhyumna and I were twins – so I tagged along. When we emerged from the fire, we were already young adults – we weren’t born as babies.

In fact, our birth was not necessary. I came to know that King Drupada and Drona had been best friends right from childhood. So close that Drupada had promised half his kingdom to Drona when the time came. It so happened that after my grandfather died, and my father ascended the throne he kind of forgot his promise. Not that poor Drona laid claim or anything – but he was in very deep poverty. His situation was so bad that he was unable to feed his son. So he came to King Drupada asking for help – but what did my father do? He shooed Drona away after calling him a beggar. Now why will any man swallow an insult like that? So Drona waited patiently for his time, became the guru for the warrior princes – the pandavas and the kauravas. Now when it came to gurudakshina, he asked the pandavas to win half of Drupada’s kingdom. All fair and square if you ask me. My father should have let go, and sought forgiveness. Instead he conveniently manipulated all this and my poor brother took that oath to kill Drona.

Now where did I fit into the scheme of things? I was considered spectacularly beautiful – with my dark complexion (yes...what is with you people and your fixation with pale skin?) and lotus eyes. People came from far and wide just to have a glimpse of me. So in what way would a young beautiful woman prove useful? That’s right. Use me strategically in matrimony. My father, having wrested the oath from my brother, was now intent upon furthering his revenge. It was Arjuna wasn’t it who had defeated him on the orders of Drona? What if Arjuna himself married me? Imagine how I felt, when I realized my stake in the whole murky thing.

As if this had not riled me enough, do you know how the whole marriage business was set up? I was offered as a prize for an archery contest – as if I was some plaque or trophy. Some impossible archery task had been set, and my father was sure only Arjuna would be able to complete the task. My heart was thudding – what if some horrible creep finished the task? What then? If they thought I’d keep quiet, they had a surprise coming for sure.

In fact when Karna, handsome and valiant as he was, stood up to participate – he’d even lifted the bow – I had to refuse. Here I am a princess; don’t I have the teeniest right to seek someone my equal? After all, at that time I only knew Karna as the son of a charioteer. Really, I had nothing personal against him – but considering I was being given away like some silver gift set, I had to look out for myself. Are only men entitled to ego? Are only men entitled to pride? I had ego, and I had pride. I was proud of my status and I was proud of my beauty. I have no regrets. But dear god, say no to a man – forget that – just hearing a woman’s voice can set these fellows into a rage. I apparently insulted Karna. How? By just voicing my opinion? I believe it is the same even today.

Anyway, there was this young man dressed like a priest. I tell you, my heart skipped a beat when I saw him. It was love at first sight. Thank god he won the competition, and he turned out to be Arjuna.

Well, all’s well that ends well I thought. But what did I know? Because what happened next was just ridiculous. These five Pandavas are very devout sons. And when they took me to meet their mother Kunti, Yudhishtira said, ‘See what we have brought Mother.’ She was busy, poor old woman, and she replied, ‘Share it equally amongst yourselves.’ So next thing I know, I have five husbands. I find it very strange. A woman, when she is young like me, is objectified and used as a property. But put some grey strands on the head, and the same woman is revered to the point of blindness. From when did the brain become redundant?

I was hopping mad, and I caught hold of my best friend Krishna. Imagine what he says? He says it’s all my doing! Apparently in my previous birth, I did some penance that pleased Shiva so much and he agreed to offer me any boon. So I rattled off some qualities and said give me a husband with all these. Shiva is a logical god – so he said, look, no man can be found with all those qualities, so here’s a deal. In your next birth, I’ll give you five husbands instead of one – and all these qualities will be distributed amongst those five. And here I was.

I slapped my forehead. It was quite scandalous. I mean even in those days, it was the same – there was a social sanction for men to take on many partners. But polyandry was frowned upon. But the key thing here is, learn from this mistake. Be careful what you pray for – you may actually get it. And it is especially daft to pray for good spouses. Anyway, don’t look at this literally. I know many of you have done analysis about my sexual liberation – it all seems so modern isn’t it? After all, each of my husbands loved me dearly, and I reciprocated. Oh well, you won’t be so shocked had it been a man marrying five women, right? So get over it.

But you need to look at this symbolically. Look at what qualities each of these five men stood for. Understand that no matter what, human beings are meant to be incomplete. No single quality can make a man great; there has to be a measured combination. Look at that fool Yudhishtira. I mean, I know he’s known as Dharmaraja and never speaks lies etc.etc. But what use is logic and judgement when one has no common sense? What use is morality when one loses sight of basic humanity?

I say humanity because I have to talk about my molestation. From my father to this husband of mine – they used me as nothing more than a pawn. They gambled me away, as if I were a sheep or a goat. As I stood in the court, amidst the most learned men and elders of all times, as my voice rang out questioning my husband’s right over me as a property – no one had an answer. It was then that I knew I was alone. It was my own battle. It was a moment of truth – I stood amidst my five husbands, I stood in the king’s court, I stood amidst warriors and soldiers, sages and gurus, but I stood alone. When it came to it, in that court, so called law, logic, dharma theories would be chosen over the dignity of a human being. And when it came to it, my husbands would rather obey their brother than standing by their wife. No finger would be lifted to prevent the crime that was about to take place. No elder’s tongue would lash against Duryodhan who parted his garment, flashed his thigh and asked me, a much married woman, to go sit on his lap. He did this right in front of his father and his guru, his brothers and uncles. What security could I expect from this court? What justice could I expect from this lot?

Miracles do add a good boost to the narrative, don’t they? They said a vision of Krishna appeared and an endless saree draped me – and Dushyasan eventually felt tired trying to disrobe me. It is so ridiculous that I laugh. Do they really think that as this vermin disrobed me, I turned on my feet with folded hands? I too am a warrior princess, born of Agni. And rage burnt inside me, set fire to every cell in my body. I fought like a tigress; I wasn’t going to give in. I fought with my bare hands even as I screamed.

When the heinous episode ended, all I remember is that I was trembling with rage, my chest was heaving and my body was drenched in cold sweat. But I don’t remember feeling weak. I don’t remember feeling like a victim. I still felt an extraordinary rage. I stood there, in the midst of these learned men who had betrayed me – as a wife, as a sister, as a daughter, as a woman. I wanted their blood. Yes, blood. Nothing less would quench my thirst.

But don’t read this episode for what it was. Look at the larger picture it portrays. That day, I was not the one who was disrobed. The ones who were stripped naked were all these wise men. Men in whose hands we’d entrusted the kingdom. Yes, Dushyasan had stripped them off their mask of pseudo-culture and their sense of moral superiority. He showed them for what they were – naked, gutless, impotent men – who with all their so called knowledge and skills, were unable and unwilling to defend a hapless woman.

In the fight and politics of these men, whatever happened to me became nothing more than an unpleasant incident. I had to wait for years and years before the perpetrators died on the battlefield. A justice delayed in a justice denied. Sounds familiar?

In the end, there was no victory. Victory is just an illusion. Yes the Pandavas won the war. But at what a terrible cost! What victory do I celebrate? That eventually Bheema broke the very same thigh that Duryodhana had flashed? That he brought me Dushyasan’s blood so that I could drench my hair in it? Did it bring me closure? Did it take away the injustice? Did it take away the years I spent in the forest when I deserved a better life? Did it take away the constant fear of being attacked by some wandering man – be it Jayadratha who abducted me, or Keechaka who tried to molest me? No...there was no justice in my life for all that I had suffered. I even lost all my five sons in the battle – burnt to death. Have you come across such an unfortunate mother? A mother who saw her grown sons, her flesh and blood – all consumed by fire?

Truth be told, I’d been defeated the day I was born out of that fire, as a woman. I was nothing more than a blade of hay, caught in whirlwind of this land – the land of blood lust and bloodthirst – where brother deceived brother, where a married woman was lusted after, where babies were abandoned for the sake of honour, where children were murdered for the sake of vengeance.

And today, the learned men and women read the Mahabharata over and over. They expound theories about dharma and karma and look at minute justifications for each and everything. They talk of karma. Foolish ones, remember that with every breath you take, you have a choice. Choice to do the right thing. You choose to commit heinous crimes, and justify it by saying ‘it is karma.’ Shame on you. The lessons stare at you in the face, yet you learn nothing.

The crime committed against me is repeated day in and day out. It is the age old game - it is easy to settle scores, teach lessons, break egos, break spirits by using women as pawns, is it not? Is it not the same even today? The wise men and women are still as impotent, still as dumbstruck. Their reactions are exactly as it was thousands of years ago – turning a deaf ear and a blind eye. No, nothing has changed. Don’t you see from what I’ve narrated – this always leads to a cataclysmic event. An annihilation. Perhaps that is the karma  you’ve chosen. So be it.


Testing Times

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Courtesy - http://ordinarypoet.blogspot.com


Hello Kaapizone...I missed you mmmmuaaaah!

Submissions done. Hair combed, nails clipped and eyes are slowly losing the addict’s look. I thought I’ll take a break from writing; but realized coffeetimeconversations is keeping a log of my absence. Now it won’t do to keep such readers waiting.

The last time I lost sleep over academic pressures was, well, more than a decade ago. Thankfully the way I’m assessed now is different; and I’m not in the rat race.

It was in high school that my ‘losing sleep’ started. It’s funny – we had monthly ‘unit’ tests, then a slightly important bigger test, followed by the term exam, and then the final exam. One would think with all those tests, a girl could just breeze in to the final exam. No such luck. It seemed I had flash memory – whatever I studied in unit test 1 was quickly erased by unit test 2 portions. Come final exam, my mind would be well- polished like an empty black board. Then, when I opened the text books to look over Lesson 1 – I’d think WTF? Did they even cover this?

And so, I was in the dimwit category because of my inability to process and reproduce texts and formulae learnt by rote.

Exam times usually meant the little round alarm clock ruled the roost. Well, some of my friends never slept. Rushing a couple of them to K.C. General for a bottle of glucose drips was the norm. The worst thing about keeping an alarm is a part of your brain is always awake. I’d wake up every hour to see if it’s already 3. Finally I’d give up by 2:30, switch off the alarm and freshen up to ‘study’.

Of course, Amma would be up with the coffee. She, like all mothers, would sit with me reading her own books as I ‘studied’. Appa was more worried about sleep deprivation. He’d sit up and scold the government and the school and launch a monologue about how knowledge should be nurtured like a blossoming tree and so on till Amma shushed him.

I hated the knotted feeling in the pit of the stomach, the sheer weariness of the mind, not to mention the dull ache behind the eyes. I’d wake up the night before a history test thinking – damn...was that Samudra Gupta or Chandra Gupta I? Of course there was Chandra Gupta II who was also Vikramaditya. But then, was it Chandra Gupta of Gupta dynasty or Chandragupta of the Maurya clan? Was it Mohammed of Ghazni? Or Gori? Both were equally ruthless in plundering. Was it Chola or Chalukya? Or Ganga perhaps?

What’s there to understand in History one would ask? Yet I found it so difficult to process all those dates. I was more interested in the human story. For example, in 300 or so BCE (see how I remember THIS date), it is believed that Chandragupta Maurya married a Greek princess, possibly Seleucus’s daughter. It was an era where the Greeks amongst other races roamed the streets of India. Remember Megasthenes, the ambassador who wrote Indica? It thrilled me no end thinking of those times – how exotic it must’ve been – Greeks and Indians intermingling – the kind of cultural exchange that must’ve taken place...be it is architecture, music or even literature. In fact, some of the ancient Greek jewellery that’s up on display in the British Museum resembles our own traditional designs so closely.

Chandragupta renounced the throne at quite a young age...forty or so (maybe it was considered old then). He followed Jainism, so it is believed he came down to our Karnataka – Sravana Belagola as an ascetic and fasted himself to death in a cave. For some reason, I found this so profound – this man, this emperor - he had the world at his feet – no dearth of beautiful wives, powerful sons, unbelievable riches. Yet he did this - walked down all the way from Pataliputra (Patna) to Karnataka, in nothing but a loin cloth, accepting alms, severing contact with all loved ones, and finally dying alone voluntarily. What would have been the strength of his spirit and the depth of his faith? I’d wonder in awe.

I’d think about the practice of building temples – not just in India, but all the rulers all over the world. I found it so fascinating that all these powerful rulers would build such extraordinary structures as a sign of respect and awe to unseen Gods.

But all such musings are useless in exams and tests, and they really did me in.

It was the same story with most other subjects. In mathematics...well as I’ve mentioned in an earlier blog, the fact that I had scored 8/100 in trigonometry is etched in the family history. Not that I did not understand the darned subject – but I could not remember the formulae. When the class teacher wrote out the test questions on the blackboard, it all looked like ancient Hebrew suddenly.

On ‘regular’ days, I could work out the math. On ‘exam’ days, somewhere an erase button would go on. That was probably because we’d have two tests or exams per day – so on the one hand, I’d be wondering about Bindusara, and on the other, about the hypotenuse. It all depended on what my brain chose to wonder about. If Pythagoras won the battle, then Bindusara would dissipate. Or it would be a combination of arithmetic and biology – and biology would win for sure. I was more interested in knowing where my pituitary gland was located and what it did; than in A union B intersection C.

But even in biology, my intentions were misconstrued by the teacher. Having a poor academic record makes you invisible. So when you score well in a subject it becomes an event. Now, it so happened that I got a good score in reproductive biology. It had nothing to do with my ‘raging teenage hormones’ as the teacher put it, laughing mirthlessly. I was more fascinated with the production design. Million to one ratio so to speak. And the impact of this on evolution; about how sexual behaviour has determined the way a species evolved and vice versa; and in the case of humans, how our social structures have revolved around sex; about how it is all such a delicate and precarious balance. But how do I explain this to the teacher who believed I won’t get far in life with what she deemed as promiscuous focus? More importantly, I was afraid of her scathing tongue – and the humiliation it could inflict.

Or upon reading all those complex protein structures in the body, and wondering more about how, at the very core, I was nothing more than carbon, hydrogen, oxygen and nitrogen...and so worrying less about inconsequential stuff like algebraic group theory...the list is endless.

One of Amma’s friends had even suggested administering a kashaya of herbs and roots and barks – passed down by Dhanvantari no doubt – to improve my memory. She said she’d been administering this to her son, and ‘he seems calmer’. Amma of course laughed it off. We did not get an update on his memory performance though. When I told Appa about this, he said I'll probably start remembering my past life, but I still won't remember the formula of copper sulphate for the chemistry test...because, 'your mind has to understand the concept; be wondrously fascinated by it...only then you will remember.' Yeah. Appa oft times was like Calvin's dad. I spoke of the boy's 'calmness' - Appa had a theory that the kashaya was probably a narcotic; in which case he wanted to try it on his boss.

Thinking back, exam time turned the most hardened of students superstitious. It was a time when many scampered to nearby temples and prayed fiercely for an ‘easy’ paper. Some came with holy lockets which they’d kiss repeatedly as the question papers were distributed; some others would get ‘lucky’ pens touched by a godman or even a small paper packet with kumkum from a Ganapathi temple. It was the only time when foreheads were smeared with copious amounts of vibuthi and kumkum – like a beacon to the gods saying – here I am, now zap me with extra gray cells.

Post exam question paper discussions were traumatic – I’d have gone and written about ethyl alcohol instead of methyl alcohol. But there’s an advantage of being in the dimwit category – you’re kind of protected in that average – below average zone. But for the superior performers, such mistakes would be unspeakable. Some of the girls I knew wept uncontrollably – because when they estimated the marks they’d get, it would be ‘only 85’ instead of their usual 95-100 range.

Well I’m glad I don’t have to take such exams. Not that what I’m doing is a walk in the park. It is still tough, but a good kind of tough. A toughness that demands the very best output from me. As they say, when the philosophy is knowledge for knowledge’s sake, only then true education occurs. Otherwise, it’s just a qualification.

Book review - Gone Girl by Gillian Flynn

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After months of arduous literary reading (some of which made me pull my hair out); I decided to treat myself to a good old crime thriller. ‘Gone Girl’ came highly recommended; and I grabbed a copy. It was a pleasant couple of days, I must say.

‘Gone Girl’ written by Gillian Flynn comes with heavy-duty reviews. My copy came with an eye-catching orange label that screamed “‘Thriller of the year’- Observer”. Well, I tell ya...I was salivating as I turned page to 1.

So there’s Amy and Nick Dunne - love birds who get married. Amy is rich, famous, accomplished, beautiful, funny...the perfect vision men have for a wife. Nick is working class, sloppy, lopsided, warm, sense of humour, easy going – a perfect boyfriend. Perhaps not an ideal husband. Five years down the line, their marriage is on the rocks. Both of them are made redundant, and while Amy has plush funds to back her up – Nick is ass-broke. He gets to know his mother has a terminal illness, and decides to move back to his home town to be closer to her. He does not really think it necessary to take Amy’s opinion. As if that’s not upheaval enough, he borrows money from Amy to set up a bar (The Bar) in his hometown with his twin sister. And so, they bundle up and drive away from zany New York to tacky North Carthage, Missouri.

On their fifth wedding anniversary, Nick is at work when a neighbour calls him to say the door to his house has been left unusually wide open for quite some time. Nick heads back home. The door’s indeed open; the furniture in the living room has been knocked about...signs of struggle; the iron is plugged in with a dress waiting to be ironed – but no Amy. Amy’s disappeared mid-morning. Snatched away while doing her chores, it seems. Luminol reveals there’s been extensive bleeding on the kitchen floor – and someone has wiped it clean.

As the investigation proceeds, Nick emerges as the ‘person of interest’. Yup...he’s got all the motives. He’s cheated on Amy. Maybe she found out, demanded her money back...and he killed her. And then there’s the age-old telltale – insurance. He had upped her cover recently. And now she’s gone. Who stands to benefit? Oh oh. There’s all those credit bills with expensive items. Nick the loser, Nick the pleaser, Nick the ‘can’t ever confront’ coward, Nick the ‘can never say no’ whiner insists he did not buy those things. He withholds information, has no alibi. He does not behave the way a husband-whose-wife-has-disappeared should behave. His facial expressions in front of the cameras are inappropriate – who on earth will smile at such a time? Nick. Nick can smile because he’s an asshole we’re told.

So. Was Amy abducted? Was she murdered? Where is her body? Is Nick being framed? He may not be the brightest spark ; maybe he’s just a harmless guy who wants an uncomplicated life...and it somehow got complicated with Amy in the picture. He grew up in a family where his abusive father said he was good for nothing, and his mother smothered him with love...and he figured the best way to be liked by everyone in the world is to just agree and nod along. And now, with the shit exploding in his face, he does not know what to do – there’s nobody to tell him what to do. Momma’s dead. And know-it-all, I-told-you-so Amy is missing.

Did he? Did he not? Did he? Did he not?

To her credit, Flynn has managed a remarkably taut narration. I’m wary of multiple first person POVs. The only book where I enjoyed this type of narration was Dracula – where we hear many narrators in first person through journals and diaries. Flynn has used a similar technique – though the time frame is complex. We hear Nick in the present, in the now. We get to see their marriage in retrospect through the missing Amy’s diaries. So in effect, we know more about Nick through Amy’s voice – and we can get to see bits and pieces of Amy through Nick’s disjointed thoughts. It is no mean feat to maintain different time tracks – both in first person. The individual voices of Nick and Amy are beautifully developed; the transition between them is very smooth – the reader automatically ‘adjusts’ to the change of tone.

I also loved the fact that Flynn has steered clear of all the pop psychology jargon. She allows the reader to draw conclusions. She’s merely made a T-section on a typical marriage and revealed the innards for us readers to poke and prod and examine. In fact, the book is more of rhetorical question than a thriller (as far as I am concerned) – is marriage the most overrated thing on this planet? All that tip-toeing around, all those mind-games, all those prove-that-you-love-me moments, all that wearing a mask and dancing around, all the Being What Is Expected Of You rather than just being...

The twist, when it comes, is not ‘gut twisting’ (at least not for me) – but it was certainly eyebrow -raising. I have to admit, I felt deflated, and I have only my expectations to blame. Mundane expectations at that – psychological thriller = cat & mouse game. I felt a good chunk could’ve been edited out too – some sub-plots seemed too contrived for this otherwise stellar, realistic narration.

Ah well. It was a refreshingly different book. And it does make you think – who knows what goes on behind closed doors? As the Financial Time says – ‘Read it and stay single.’

The back cover quotes the Mail on Sunday – “Gone Girl is a book you’ll be begging other people to read, just so you can discuss it with them”. Well, I won’t be begging you...but do read it. For the sheer pleasure of Flynn’s characterisation.

We Are Like This Only

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Courtesy - http://www.educationupdates.com

Apparently Air India is not very popular with Indians. I’ve heard this from the time IT opened up the doors to global travel. This was more than a decade ago when, for most of us, travel luxury was defined Shatabdi. All of a sudden, the very same fellows who did jugaad for train berths were discussing service in Lufthansa, Singapore Airlines, BA and so on. Some of them spoke as if they had to sit next to the pilot to give him directions. But mention Air India and chi-thu would start. The two big issues are apparently the rude service and ‘aunty type’ hostesses. I’ve never understood this need for apsaras to serve you food just because you happen to be in an aeroplane. And rude service? It is a necessity....almost by popular demand.

If Air India flew directly to my destination, I’d travel by no other carrier. This has got nothing to do with patriotism. First of all, like the fabled Indian hospitality, Air India is so very generous about the luggage limits. And I so love the vibrant orange and yellow decor. Secondly, it just feels like home – as if you are travelling by the Vayu Vajra or something. Arguments and fights break out at the drop of a hat – something my fellow Indians wouldn’t dream of doing in any other airlines. There is an unbridled sense of freedom from civilisation so to speak – I mean if I’d poked someone’s eye or generally yelled my head off as I stood in the Air India queue – it would be deemed as acceptable and normal behaviour. No cops would turn up to escort me out for public disorder for sure.

See this time around, a last minute booking made us pick Air India – they were surprisingly economical while other carriers quoted three times more. Anyway the minute we went to our terminal in Heathrow for the baggage drop – it was like Tirupathi bus stand. My fellow passengers, who are the epitome of suave behaviour if found in the Emirates or British Airways queues, had dropped the polite act. There was elbowing and raised voices. There was no provocation as such - but I guess we bring out the worst in each other. So one dude in tracks and hawai chappals got ‘tired’ of standing in the queue and kind of used the ‘do you know who I am’ tone with the Air India personnel. He complained loudly to no one in particular about how inefficient Indians are ...while scratching his thing. Perhaps he did not notice that the holdup was because of several senior citizens who were being politely guided through the check in process – they had safely packed away their passports in their cabin bags that were securely locked.

Having boarded the aircraft, I was indeed greeted by a matronly set of crew. Once again I felt at home. Let me confess that I freak out a bit in some of our domestic carriers... where the young hostesses look like they are shooting for some 1960s Eastman colour Bollywood movie. Air India was such a relief. Sure the crew reminded me of some of my sterner school teachers – but at least they looked normal.

The fun began after we were seated. One of the hostesses prowled around monitoring the overhead lockers. She stopped near a passenger who had stowed his cabin luggage and said, ‘Sir, can you keep your bag upright? We have a full flight and we need every bit of space.’

‘It is fine like this only,’ the passenger was dismissive.

‘Sir if you can please keep it upright, we can fit in another bag.’

‘Arre no place is there in other lockers?’

‘Please sir.’

The passenger grumbled and set his bag upright. ‘Happy?’ he said in a raised voice.

‘Thank you sir. Please take your seat.’

Why was he so rude, I thought? I know very well that had it been any other airlines, this guy would have conceded to the request with a smile. Anyway, once the hostess moved away, he kept his bag back in the original position.

And then there was a scuffle about seats – this lanky guy wanted an aisle seat and went around soliciting an exchange – the way it happens in trains. He thought it is easier to ask unaccompanied women travellers to exchange seats. He asked a girl and she said sorry, no. He tried to ask her a couple of times and she yelled, 'In what language should I tell you no? NO. NAHIN. Got it? Understood?Or should I start my Sanskrit?'

He moved on to another elderly lady. God knows what he asked her, and what she heard but soon they were fighting about whose grandfather owned Air India.

‘Sir, please take your seat. Once we are airborne, I will see what can be done,’ one of the crew members stepped in swiftly. 'You cannot disturb other passengers.'

‘I can’t sit in the middle seat,’ the guy said.

‘I will see what can be done, but for now, you are blocking movement on the aisle. Please take a seat.’

‘Can you ask that gora sitting in the last row?’

‘Sir I insist. Please take your seat.’

‘You people are supposed to help passengers. USELESS!’ The guy yelled and folded himself into his seat. The elderly lady with whom he argued yelled 'You SENSELESS!' The crew had to shush them down.

And of course, when the plane touched down and was still taxiing on the tarmac, despite all yelled announcements, a hoard of passengers removed their seat belts and opened overhead lockers to bring down their bags. And yes, there was a scuffle to disembark – pushing and shoving – as if the plane would take off without warning.

At the immigration counter at Mumbai I had another funny experience. The officer was a young lady. The Husband and I greeted her as we handed over our passports. She gave us a stony look as she slid the passports over to her desk. Once the stamping was done, she slapped the passports back on to the desk while looking away. Obviously she did not respond to our thank you. But then, behind us there was an American tourist – a young man who was on some kind of an architectural study tour. As I walked away slowly, trying to shove my passport into my purse – I heard the lady say, ‘Hello, how was your journey?’

Surprised, I turned around. Yup. The American was beaming a smile and replying to her. I was out of earshot, but saw that she maintained a cheerful banter as she stamped his passport. No one else reminds me of my brown skin like an Indian does.

When I returned to London, there were at least 700 people ahead of me in the immigration queue at Heathrow. There were the usual oddballs who thought it’s perfectly fine to insert themselves ahead in the queue. No amount of stern warnings by the officers would budge them – they kept mumbling something. Finally when the rest of the crowd got down to name-calling – referring to questionable ancestry of the queue breakers – only then did they slink away.

And to make me feel even more proud of my cultural heritage – two young boys from my country stood in front of me. They entertained themselves by guessing the bust size of all women passing by.

What to do. We are like this only.


Of Bhootas, Pretas and Pishachis

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Back in school, as exams loomed nearer and nearer, I’d realize that the only way I’d get a decent pass mark was by drawing up a strict timetable. One that I would never follow anyway. What would start as one-chapter-a-day revision would boil down to read-the-goddamn-text-book-as-fast-as-you-can. And even in that panic, other pleasures, strictly rationed, could not be forgone. Karamchand  or Chitrahaar for example.

Well, I figured age would’ve added a bit more finesse in my studying methods. Age, as it turns out in my case, is just some hazy number. Even as I had to cogently discuss monoamine theories of depression, and even though I was swimming in serotonin and dopamine, I had to...just had to...catch a movie on TV...falling behind on my study schedule once again. The movie was ‘Ek thi daayan.’

What made me want to watch a movie with such a cheesy sounding title? Well...let me confess...I needed something to uplift the spirits. And nothing can do that better than Bollywood horror shows. So far, the ones I’ve seen have amused me to death. Dang...but this was a different movie. One of the best horror movies of Bollywood – sure it has its pitfalls here and there - but largely well done. Superb acting, and more importantly, loved the way the director has molded folklore into something so mainstream.

That reminded me of all the ghost stories I’d heard as a kid. So far I've never had any ghostly experience. I may have suspected the earthly origins of certain people I’d come across...and some of my teachers may have induced out-of-body experiences in me. But apart from that...no strange happenings ever.  

My earliest recollection of ghost stories was from Chandamama. Usually Appa narrated them (I had to be entertained while I ate my food). The ghost stories would invariably start with ‘Long, long ago, there lived a poor priest. Or a poor woodcutter. Or a poor farmer.’ And it would so happen that this character had to cross a forest on some errand. And he’d sit under a tamarind tree or a banyan tree for lunch. Attracted by the food, a bootha, yaksha or yakshini would land on the poor fellow...and the rest of the story would be about how the ghost was outwitted.

We kids soon outgrew Chandamama stories. But many summer evenings, when the usual ‘power cut’ was in progress, we’d discuss philosophically on the matter of ghosts. Like pre-teens all over the world, we believed unequivocally that we were surrounded by bhootas and pretas. Someone vehemently said one of the decrepit houses on our road was haunted. It had a well that had a strange smell. As if that wasn't proof enough, one of the boys had seen purple flickering lights dancing up and down ...and they had finally disappeared inside the well.  When I told Amma about this, she said the narrator had scored less than 5/100 in six subjects, and the whacks on his head must’ve made him see flickering lights. I had to see this light-ghost for myself...unfortunately a previous scary incident prevented me from going towards that house. You can read about it here.

But this boy was an authority on all ghostly things. He told us this light-geet ghosts are harmless. But we should watch out for the KoLLi Devva. This is the mother of all ghosts, he said in a hushed tone. For some reason, this ghost, apart from possessing the usual ghostly characteristics of being a female, having a dismantled face and feet turned inwards, also carried a fire torch. I promised to keep an eye out during nightly expeditions to the loo.

But what of the lesser order ghosts, we mused. Ah, the ghost professor knew the answer. Other ghosts wore jingles on their feet. Not the ordinary ones...but the heavy ones worn by dancers. So just in case we were stranded on a dark street, and we heard jhan jhan sounds, reciting the Hanuman chalisa would be prudent.

And then came the urban legends of Bangalore. The Majestic area had a lot of cinema halls, and the night shows, usually known as the second shows, ended way past mid-night. Apparently, there was a deserted road where one’s scooter always broke down. And one would hear a voice from behind asking for a lift. If you turned around, you are done for...you’d be possessed. So the advice was to avoid the street if possible. And should your scooter break down, never turn around. Just say ‘Go away, go away’ and recite the first shloka that comes in your mind. The scooter will start automatically. Now this ghost never asked for a ride in an auto-rickshaw. And never bothered walkers apparently. Only those on Bajaj scooters faced this problem.

In the mid-eighties, the ‘Naale Baa’ (come tomorrow) wave hit Bangalore. I believe it started in one of the slums. This wily ghost came as an old lady, and knocked on the doors of houses which had children. She stole the children’s eyes and hid it in her hair apparently. So people wrote Naale Baa in Kannada on their doors. The fearsome eye-gobbling ghost was polite it seems – it would read the message and walk away dejected.

In our high school, for some reason, a group of us decided to try out the ouja board. Only we did not have a board, so we drew it on paper. We used an inverted bottle cap to ‘capture’ the spirit. Of course it did not work...but my friend’s mum freaked out a bit and chased us out. But I’d heard an ouja board story from a good friend. He said they too were playing the fool – and were in a regular room with a proper light and all that. And one of his friends started moving the ‘cap’ to answer the questions. ‘Is there a spirit here?’ He spelt yes. ‘Who is it?’ The friend laughed and spelt S.A.T.A.N. And the bulb overhead not only fused out, but splintered open. And this friend of mine said, ‘I never make fun of such things.’ Now I don’t know if he was pulling my legs...but it’s a great story nonetheless.


The closest I’ve come to eerie happenings is having a strange sense of foreboding in certain places. You know...you don’t feel ‘good’ about certain places and people. But I put that down to instinct. And perhaps power of suggestion too. There are some places – maybe a house, a stairway, a corner in a park – that don’t feel ‘right’; I avoid them. Not that I don’t believe in unseen beings...it’s just that they’ve chosen to stay away. No one likes to haunt a blogger. 

The Art of Chaklis

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As an Iyengar, Gokulashtami is the most important festival for me. This festival has always meant serious business as far as I’m concerned – none of that easy cheer of a Deepavali. It is one of the toughest celebrations. Now those two words together are intriguing. But it’s true. The preparation for Gokulashtami is not for the weak-hearted. Krishna was born some 5000 odd years ago, in the month of July. Isn’t it absolutely fascinating that 5000 years down the line, we still herald His coming with the same fervour?

I don’t know how the tradition of making specific kinds of food for specific festivals started. But it interests me no end. Food, and everything that revolves around food – the way it is prepared, served, eaten – has always been an integral part of every ancient civilisation. Food keeps communities together, and is an essential component of the culture that is propagated down the generations. Elsewhere, I’d mused about the prasada made for Ram Navami – the ‘chitranna’ (lemon rice) and panaka (fruit juice, especially bael). Here is my theory that I shared with some friends - it is said that Sri Rama was born at noon. Hot, scorching, blindning spring-summer noon. Imagine the people of Ayodhya and beyond, congregating in thousands on the dusty fields and streets, getting baked in the sun, waiting to hear the word. And when the word came, it had to be celebrated. Perhaps the feast would've been richer had He been born in cooler climes. But like His life, the celebratory menu had to be threadbare and frugal. Bael fruit - auspicious, abundant - was used for the panaka or juice - to quench parched throats. Cucumber laced salad - kosambri- was just right to keep the tongue cool. Rice flavoured with tangy lemons or raw mangoes - chitranna - was just right to balance the bile in the searing temperatures. And thus, thousands of years later, we believers still follow this unusual celebratory menu.

So I always wonder about the menu we prepare for Gokulashtami. It falls in the rainy months of sharavana/bhaadrapada. Down south, we’d be well stocked with the spring/summer harvests of paddy and lentils. The summer months would be the time for making papads, sandige, and all sorts of sundried savouries. So the rainy season must be a great time for preparing deep-fried snacks that could be stored and savoured for months. And since Gokulashtami falls in this season, what better way to celebrate than prepare all these rice and lentil savouries, not to mention several types of ladoos? And mind you, these are not some slice and dice and throw into the hot oil kind of snacks. They required patience, perseverance and finesse. And, as Amma always said, a large measure of devotion. I can imagine the time of 'long ago' - families would get together for the preparations...arriving from other villages for a communal celebration. The men would be in charge of pounding the grains to flour. The women would do the kneading and frying. The children would do the counting and storing. Nothing brings people together like food does...yes?

The preparations for the festival would usually start a month ahead at my home. The panchanga would be consulted to figure out the date. And then, the budgets had to be reworked to buy extra kgs of rice, urad dal and so on.  As with every family, the bhakshanas made for this festival was not limited to the family alone – but was meant for distribution. So the measurements were never in cups, but in ‘seru’ or ‘paavu’ – large cylindrical tumblers. The target would be to prepare around 30-50 of each type of bakshana.

The entire processing would take place at home. First, on a reasonably sunny day, the rice and dal would be washed thoroughly and spread out on a cloth (usually Appa’s panche) to be sundried. Once they dried, we’d go to the mill, which we all simply called as ‘machine’ (read more here) to pound the rice and dal into flours. Then came the tedious part. Sieving. For this, we’d sit in the living room, far away from taps and any water sources. It wouldn’t do to get moisture in the flour. We’d sit on the floor, Amma, The Sister and I. Amma would sieve the flours, while my sister and I mainly hung around for the conversation. We’d get to hear of great grandmothers, or some far off cousin’s someone-someone who’d make 101 different types of bhakshanas, and other such historic records.

Once the sieving was done, Amma would bring out the seru to mix flours in proportions handed down to her from her mother, who, no doubt, got the info from her mother and so on. Chakli and thengol had the same base ingredients of rice flour and urad dal flour – but in different proportions. Muchhore had additional ingredients. Amma would mix them carefully and store them in aluminium dabbas that had been in the house forever.

Amma would prepare the bhakshanas a couple of days ahead of the festival. The Sister and I were more of sous-chefs, taking over each other’s tasks in shifts, while Amma never seemed to tire. My job invariably was to prepare the huge steel plate for the hittus (flours). A dollop of vanaspati went on the plate. And I had to rub it in, really smearing every inch of the plate. ‘Use the balls of your palm,’ Amma would instruct. The body heat was the perfect temperature to melt the vanaspathi. I had to rub it in till it became frothy, and then finally, there’d be no sign of it, except for the shiny greasing on the plate. Then Amma would measure out scoops of chakli hittu or thengol hittu. This had to be lightly spread around the greased plate, just enough for the flour to get coated by the shortening. Then came the hing water. The hing, dissolved in a tsp of water, was sprinkled on the flour. The amount of hing mattered. A lot.  Hing itself has a pungent aroma – too much of it will overpower the rice and urad flavours, apart from altering the taste. Cumin and white til would be sprinkled, and then finally salt. All this was done on ‘kann alathe’ or literally, ‘measurement by eyes’.  Once all this was done, the hittu was ready to be pressed. The cardinal rule was - never, never pour water on the hittu all at once, kneading a large ball of chapathi-type dough.  The dough would dry out fast and it would become difficult to press the chaklis/thengols. The trick was to use small quantities of water, just enough to knead in a dough-ball fit for the chakli press. Slow, but exacting process.

Now came the tricky part. It was not just enough to use only your eyes while doing all these preparations. Touch and olfactory senses were very important to predict the outcome. For example, the taste of the chaklis/thengols could only be described by ‘sound’ words. If it was gari-gari, melting away crisply in your mouth, then it was a perfect chakli. If you had a katum-kutum chakli that was hard to the bite, or if you had a very brittle chakli that literally powdered on the touch, then your dough was screwed up. The dough that went into the chakli press had to be firm and pliable. Only this would result in a gari-gari chakli.  If it was too soft and soggy, the chaklis would come out katum-kutum. So when one made the dough, it was good sense to just bounce it gently in the palm like a cricket ball. If it is the right texture, then the dough won’t stick to your hand. If it has excess water, then you can see bits of it sticking on your palm as you bounce it. But a better test – when you press out the dough, if your biceps are challenged and you grit your teeth, then you have a winner. If it came out too easy...oh oh.

Now pressing out the chakli itself is an art. Amma’s rule was three concentric rings – the end point and the starting point had to align. Why? Because it is an art. And art demands perfection. Thengol and muchchore, the multiple stringed templates, did not require such harsh scrutiny. Even so, one had to be careful while ‘cutting off’ – so as to not form a lump. The oil had to be hot, but not smoking. And there was a method to safely drop the chaklis in the frying pan without splashing oil, and without ruining the circular structure. You have to gently slide it close to the side of the pan. When they are nearly done, you have to concentrate on how they feel against the ladle. If they feel solid, that is a good time to remove them. Otherwise, they become red, then brown – and no true connoisseur of chaklis likes such discoloured ones. They have to be ‘golden’. So the trick is to remove them when they are still pale (yet solid) in the oil. All deep-fried savouries continue to ‘cook’ for a few minutes even after they are removed from the oil. And so a pale chakli once removed from the oil, would turn the right shade of gold as it cooled to the room temperature.

But the tougher ones are the sweets. The chances of ruining a perfectly simple sweet recipe are very, very high. The consistency of the sweet depends on the string of the sugar solution, the way the ingredients are roasted and the temperature at which the ‘unde’ or the ladoo is made. Whenever Amma stood roasting besan in ghee for mysore pak or besan ladoo, she’d say, ‘Concentrate on your nose.’ Well, that was easy given that the women in my family possess noses that jut out like the Rock of Gibraltar. And so we’d stand there with flaring nostrils – tracking the progress of besan through smell - from raw to the roasted aroma.


This Gokulashtami, after 7 years of Amma’s passing on, I summoned enough courage to try my hand at a couple of bhakshanas. Of course, I had to take a shortcut - readymade rice flour and urad flour. The Sister is an expert – she has Amma’s good genes and annapoorneshwari touch. I’d give a passable C for my efforts. The chakli and thengol bordered on katum kutum, although the colour was good. The kobri mithai did not set because of imperfect sugar syrup. But there is always next time. But as I stood preparing the chaklis, hearing Amma’s voice in my head, I promised myself to do this every year. Not because of anything remotely spiritual – but because this is a culture, a legacy that we can touch, feel, digest. A culture that brings people together for at least one evening - a luxury considering our busy, isolated lives. A legacy that is almost lost thanks to the invasion of All Things Processed and Potato. 

I hope someday, I can teach my niece all this. Yeah...The Sister can teach her other things about Life – me...I’ll teach her the art of chaklis. The devotion behind it. And how it had held a community together.   

The Return of The King

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Courtesy - http://wikimedia.org
King Mahabali belongs to the Daitya clan of Asuras. Like his grandfather, the famous Prahlada, son of Hiranyakashyapu, Mahabali too holds a special place in Hindu mythology. The word ‘asura’ evokes a mental picture of a rakshasa – evil and cruel. In fact, the most famous Asuras – be it Ravana, or even Hiranyakashyapu for that matter, were all men of stupendous qualities. Their intelligence, ability to govern, prowess in warfare are all legendry. The name ‘asura’ is really a play on the word ‘sura’. It is said that during the Samudra manthan – or the churning of the primordial ocean – all kinds of celestial things emerged from the ocean. These were distributed among the two parties – the devas and asuras. It so happened that Varuni, daughter of Varuna and goddess of wine, emerged carrying the ‘sura’ or the intoxicant. She appeared dishevelled and shabby, and to top it, she was quarrelsome. The asuras were quite naturally reluctant to accept the sura from her – hence the name a-sura.

However, the asuras and the devas are all brothers. Half-brothers to be precise. Their father is the sage Kashyapa, who is considered the father of all humanity – he fathered the asuras, devas, nagas – who in turn founded the most important dynasties – the suryavansh, raghuvansh and so on. King Mahabali belongs to the Daitya clan of the Asuras. The daitya clan is a line born of a union between Kashyapa and Diti.
The asuras and the devas represent a symbolic balance in the universe. Not a good vs evil – but some kind of a power balance. Like a perfectly balanced weighing scale. One cannot become more powerful than the other. These are represented by the Deva-Asura conflicts, and each time, it has been resolved by an avatar of Vishnu.

King Mahabali’s story is exceptional in its peaceful resolution. There was no war, no bloodshed when it came to ‘conquering’ this particular Asura. Indeed, his story is very different from that of Ravana or Hiranyakashapu. Under the guidance of the great Prahlada, King Mahabali was a just and benevolent king. His kingdom was very rich and prosperous; peace prevailed and indeed his subjects looked upon their king as God himself. His wisdom, intellect and sense of justice made him famous throughout the world. But, as with every honourable warrior, King Bali too sought to expand his kingdom.  He ruled over the earth, and the netherworld (patala), all that was left was the heavens: the abode of the devas including Indra. With a huge army, King Bali routed out the devas from Indraloka in a war that lasted thousand years.

Now, the asuras and the devas, as I said, are step brothers. While the asuras were born to Diti, the devas were born to Aditi – both wives of Kashyapa. When Aditi saw her sons routed out, she performed a severe penance invoking Lord Vishnu. Pleased with her devotion, the Lord appeared before her and wished to grant her a boon. She asked Vishnu to restore the devas to their rightful place, but since the asuras too were her sons, she said, ‘do so without bloodshed’. Lord Vishnu acquiesces, and was born to her as Vamana, in the form of a dwarf Brahmin.

Meanwhile, the great King Mahabali performed the powerful Ashwamedha Yagna, after which surely he would become the undisputed emperor of all the worlds. Benevolent and generous as he was, King Mahabali swore to donate whatever one asked on the day of the yagna.

Vamana, the young brahmachari, turned up during the yagna. Now all the rishis and sages gathered for the yagna recognised the Lord in the brahmachari. So did Shukracharya, the guru of the asuras and a rival of Vishnu. He sternly warned Mahabali not to give any daana to this cunning brahmachari. If Bali dared to disobey his own guru, then he would have to face dire consequences. But Bali, the just king who would rather give up his life than his word, disobeyed his guru. He asked the young brahmachari what he wanted as daana.

Vamana innocently said, ‘Give me land, as covered by three steps of my gait.’

The King, thinking the little brahmachari has asked for too less, goaded him to ask for something more substantial. He offered riches in the form of jewels and gems. The young Brahmin refused and stayed adamant about his request. ‘So be it,’ said the generous King. This has to be sealed by a vow, so the king had to accept holy water given by the Brahmin. The cunning Shukracharya wanted to prevent the king from taking this vow. So he reduced himself to the size of a fly and blocked the snout of the brahmachari’s kamandalu. Thus, no water could fall into the palm of the King, and he’d be unable to take the vow.  

But the brahmachari pulled out a blade of grass and poked the snout of the kamandalu thus forcing out the ‘fly’. And that is how Shukracharya became blind in one eye. The King partook the holy water and sealed the vow. He now had to give whatever the Brahmin has asked for.

The dwarf Vamana suddenly grew in size to gigantic proportions. He took his first step and that spanned all of the heavens. With his second step, He covered all of Bhooloka. Now where should he take his third step? There is no place left! By then, the truthful King Bali realized it is the Supreme One in front of him. He knelt down and bowed his head in all humility – and asked the Lord to place his third step on his head.

The minute the Lord’s foot touched King Bali, the latter becomes immortal. Because he was under the Lord’s foot, he went down to the Patalaloka. Before leaving Bhooloka, he asked the Lord for a boon. He said he very much loved his kingdom and his subjects. He asked the Lord to grant him permission to return to Bhooloka once in a year, so that he may see his subjects. Greatly pleased with his humility and honesty, the Lord readily granted his wish.

The vaishnavas celebrate this day as Vamana Jayanthi. I wonder why it is not as grandly celebrated as the victories of Rama or Krishna. Perhaps we are not so enchanted with victories that came about peacefully. Or perhaps because this day is more about an asura; a holy one at that. It is believed that he ruled from the present-day Kerala – Malabar coast, and even parts of Karnataka known as Tulunaadu – which would probably include Mangalore and Coorg. When I travelled to these places, and I saw their lush mountains, roaring seas, dense forests, hidden waterfalls, and when I heard their lilting language – I thought, indeed, this is the beautiful, blessed land of King Mahabali. And thus, hundreds of thousands of years later, on this day, we still decorate our doorsteps with flower – rangolis, we prepare feasts (sadhya) fit for a king. For on this day, we celebrate the return of the mighty King Mahabali to the earth: we celebrate Onam.

King Bali was no ordinary king, and we yearn for a day when we are governed by one like him. Having been touched by the Supreme Vishnu Himself, and having becoming immortal, welcoming King Mahabali into our homes and hearts can only lead to peace and prosperity.

Wishing everyone a very Happy Onam.

    

The Twice Born

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When I took a break from my corporate career in 2009 (has it been THAT long?)...it was both exhilarating and agonising at the same time. Exhilarating because I no longer had to wake up to the pinging of the inbox. Agonising because my bank account would not get replenished every thirty days.

On my last day at work, I sent out a good-bye email to my colleagues, and mentioned that I would now pursue projects that are soul-enriching and therefore, financial disasters. I had no clue what that meant – it just felt sexy to sound reckless and mysterious. A few of my colleagues who’d witnessed eccentric outbursts from me in the past, figured I’d be starting a cult, or joining one. A few others thought I was joining a competitor who’d given me an obscene offer; all this ‘soul-geel’ stuff was to throw them off-guard. But a large majority gave an all-knowing smile and yawned. They said this was temporary insanity. They laughed into my face and said I’ll be back in no time. I was not the ‘domestic’ type apparently. A few of them genuinely cheered. Truth be told, there was a niggling fear in my guts. What on earth had I done? What on earth was I going to do?

Here was the root of the fear - the empty time that stretched in front of me, everyday, without fail. Perhaps the scariest part of it all was the introspection: discovering that I was not passionate about anything. I’d watched interviews of classical dancers, singers, painters, actors, sportsmen; they’d all gush, ‘Oh dancing is my life’; or ‘I’d die if I couldn't sing’ and so on. I reflected – did I feel that strongly about anything? I drew a blank. I’d say that was a moment of damning realization – that I was empty. It was not about being an expert at something, it was not about becoming world’s no 1 in something – but it was about not having even a tiny piece of me that was distinct; that was removed from my what I did or did not do for a living. A piece of me that gave me happiness from within.

Somewhere in those dark moments, Kaivalya was born, although I did not know about it then. All I knew was that I enjoyed writing; I felt happy when I wrote and so I decided to take up writing more earnestly. I did not want to go easy on myself and take umbrage in blogs in short stories. I wanted a mind-over-matter challenge. I decided to do a full-fledged novel. It felt good, for all of one day.

Then, my best friend Self Doubt sat on my back like the Betal. You hear writers often say, ‘This story was in me, it was waiting to be told.’ Well, there was no story in me. I stared at a blinking cursor on Document 1 for days on end. But all that staring did help me understand what I wanted to write. I wanted to write a story that I would personally love to read. I knew it had to be one of my favourite genres: thriller and horror.

There was no eureka moment for me - I never woke up one morning with a story all worked out in my mind. I agonised over wheremy story would take place for weeks. I had no clue about the characters, or in fact what the story would be. For some reason, it was very important that I get the location right.

One of my cousins is an avid trekker, always dashing off to towns and villages bordering forest areas of the Western Ghats in Karnataka. He’d come back with stories of leeches crawling inside his shoe or of elephant herds crossing the highway. Once he spoke of an eerie spot inside a forest where his group had stopped for lunch. They were in a jeep, on their way to a base camp. All of them felt uneasy for some inexplicable reason; as if they were being watched very closely. They did not finish their lunch; they packed up hastily and left. They were all seasoned trekkers and were very much used to camping in dense forests. Nobody knew why they had felt so uncomfortable and edgy in that particular spot.

 And thus, I knew my story had to begin and end in the belly of Western Ghats - in those mysterious, dark, brooding lush forests of Kukke Subramanya, Sakleshpura, Bisle – the abode of the majestic king cobra.

As for the plot, it did not come together all at once; in fact, it never came at all - right to the end. I had to put together story snippets, like unshaped mosaics paving a driveway.  I just wrote as the words fell out of my head. I did not know what happened next in the story. But as I wrote, the sequences revealed themselves. It was like driving in the dark: you don’t know the road and you can see only a few feet ahead. To me, this was the best part of the process. There were some mornings when I knew what would happen in Kaivalya. I would write at a feverish pace for a week. And then, nothing. Not a word could be squeezed out of me. I called these the ‘blackies’. I had to wait out these black patches patiently till the next deluge hit.

A year later, the manuscript was ready. I did a bit of research on publishers in India and came to a conclusion. No one would touch my manuscript with a barge pole. It was way too different, way out of the ‘catchment’ demographic of quick reads and self-help titles. I never even sent out a synopsis. I decided to self-publish. I collaborated with the awesome Goa-based CinnamonTeal and Kaivalya came into existence in September 2010.


The glowing reviews that came in made me venture out to traditional publishing. An agonising year later, in December 2011, I received a confirmation email from Westland. They signed me on. And now here we are in 2013. Kaivalya is reborn. Westland decided to change the title to The Revenge of Kaivalya (I still prefer ‘Kaivalya’ J) and redid the cover design.

So dear readers, for this Halloween, settle down with kaapi and Kaivalya. I’m not a marketing whiz. I just about set up a facebook page at the insistence of a dear friend. I can’t give away mugs, t-shirts, handkerchiefs, socks or whatever it is the marketing fellows do...just to entice you to buy my book. But this I can promise – it is a sumptuous and entertaining read. As a chikna boyband once crooned – it’s only words, and words are all I have...to give my book away.





I am not sure in which stores the book is stocked yet. But for within-India orders, you can buy on FlipkartAmazon and Sapna. For international deliveries, you may please order directly on URead website. 

Curious what Kaivalya is all about? Here goes...

Deep within the womb-like forests of the Western Ghats, an entity manifests itself at the malevolent moment when the ocean rises to devour hundreds of thousands. Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in HaLegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft? 

The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend...



The Story Behind The Name

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In the early stages of my manuscript, I knew the title of my novel had to be the name of the principal character. And it could not be just any name. It had to fit into the storyline - from a time perspective, as well as setting the atmosphere. It had to sound ancient and also define the character. Tall order!

As I read up on the history of Vijayanagara, I hoped to come across a good, strong name...but history, largely, is about men and their wars and conquests. I hoped to select a name from our puranas. But nothing clicked. What about our stotras? Maybe the lalitha sahasranama? Or ashtalakshmi stotra? One evening I sat mulling on 'Kausalya'...thanks to the most famous line 'Kausalya supraja Rama purva sandhya pravarthathe' from the Suprabhata :) I went to bed with that line in my head.

The next morning, somehow, ‘Kausalya’ had transformed to ‘Kaivalya’. I did not remember coming across the name in any of my previous research. Curious, I looked up what ‘Kaivalya’ stood for. And was fascinated. 

Kaivalya is a yogic state of mind – a state of complete detachment, a state of absolute alone-ness. Note that being alone is a world different from being lonely. But those are words that most of us cannot understand. I mean I understand alone-ness to a certain extent. I love and revel in my own company. But what was being described was something far too complex and metaphysical. Kaivalya is, to me, the pinnacle of yogic state. When they say detachment, they mean detached completely from this physical plane – even from one’s own body.

How is that possible? How can one be detached from one’s body? Even those who profess a level of spirituality love the body. We feed it, we clothe it, we decorate it. We love to feel pleasure – in taste, in sight, in touch, in smell, in sound.  When we say ‘I’ – it more often than not includes one’s body, does it not? From time immemorial, we've believed in the dual aspects of the identity – the physical body, and the soul. Modern psychology has observed and documented the existence of a ‘consciousness beyond the five physical senses’ – that is, the concept of ‘consciousness’ does not seem to be dependent solely on physical body. We are still grappling with the definition of consciousness. What generates this phenomenon – this being aware? Sure, we know the mechanisms of the brain, we've mapped out important regions that influence our physical functions – but the main question remains unanswered – if consciousness exists outside the body, then surely there is something else that powers it?

Almost all our spiritual texts talk of this hyper state of awareness – what in psychology we usually term as ‘higher state of consciousness’.  An indescribable state of bliss, weightlessness, a 360 degree vision in a burst of most radiant colours and so on.  But the state of Kaivalya is much beyond that realm. It is independence from breath itself, yet, being in the super state of awareness. The closest comparison I could draw was, perhaps it was being like the sun. Self-luminous, self-sustained. The sun does not depend on the planets and galaxies for its existence. It is just there, an eternal flame. The concept of Kaivalya is perhaps elaborated more in the Kaivalya Upanishads (I’ve not ventured there yet).

What is remarkable is that way back in the 2nd century B.C. Patanjali wrote the yogasutras, dwelling on these complex metaphysical aspects of existence.  I can’t even begin to imagine the exalted progress of those times. (We’ve regressed, big time.) Although modern psychology has made attempts in understanding consciousness, it is difficult to do any kind of empirical study in a scientific, testable format. In his excellent lecture/paper ‘The Varieties of Religious Experiences’ American psychologist and philosopher William James talks of experimenting with nitrous oxide. We know that nitrous oxide is an anaesthetic, induces euphoria (laughing gas hee hee) and is used as a recreational compound. In this ‘self-experiment’ of nitrous oxide intoxication, James recounts -“our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different.” And this was sometime in 1902.

Well...to cut a long story short, I was hooked on to the name ‘Kaivalya’. It could be nothing else. We often view evilness as a separate entity.  But in our mythology, be it Ravana or Hiranyakashyapu – they were spiritual powerhouses because of their austere penances. When that positive energy is perverted to create destruction – a very great evil is born. That very irony fascinates me no end.


‘Nuff said. Now go buy your copy! 


An excerpt from 'The Revenge of Kaivalya'

Vagabond

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You must’ve come across people like me. On the street, at the bus stop, on the train, in the airport, at the movies, banks...everywhere. We wear a trademark bored look. Not that we are bored; it’s just that our facial features have been arranged that way. We look as if nothing on earth excites us. I mean at times, even a dead piece of wood seems to have more expression. Indeed, when in company of strangers, I always run the risk of coming across as dull, doped...or both. Or worse, arrogant. Not that I don’t participate in ice-breaker conversations on weather and traffic, I do. But try as I may, I can only speak the two or three sentences – ‘Yes the weather is going crazy. Yeah the traffic is terrible. Yes, yes! In the 80s neither the traffic nor the weather was like this.’ And then I smile stupidly and nod and eventually look away to intently study the back of someone’s head, appearing as placid as a hippo peeking out of water.

But here’s the thing. In those few moments, I’d have studied faces, clothes, accents, toe nails. I’d have noticed jewellery, flowers in a vase, photos on a shelf, and nuances of speech between two people.  And I’d go hmm. Now there’s the gentleman furiously cracking jokes picked off facebook walls; his fingers fiddling with one of the many rings he’s worn. Yup – there’s the pearl ring, an amethyst and a ruby. Not into books definitely (the FB jokes are a hint), religious without knowing why. Not a decision taker or maker – all those rings to appease the Rahu, Ketu, Shani, Shukra – wears them because Mummy and Papa are worried about his promotion, his chances of getting an onsite trip, his getting a ‘good bride’. Stained teeth and slightly dark lips. Overwhelming smell of chewing gum. Ah. A contradiction. The good beta smokes like a chimney much to Mummy-Papa’s displeasure. Or...or that pretty girl with quick wit. She’s used the rod to straighten her hair – missing out waves at the back of her head. Oh look at her nails and shiny nose. She’d been to the parlour over the weekend. A good manicure and a facial. She’s got a beauty routine. Picture of confidence. She’s the corporate climber. Hard working. Confident. Easily mingles with people. Well-travelled. Will be hated by mother-in-law.

So you see? Below that sedate face, people like me are always restless. There’s always something bubbling, brewing, frothing in that head of ours. We may look bored, but draw pleasure and entertainment from everything around us. We are a bit creepy that way.

But what I did not bargain for is the sense of homelessness that’s come about in the past couple of years. I’m pretty sure it has something to do with age. And it has a filial bond with the restlessness. I’m like a moth in a bell jar, beating its wings furiously. It is strange because I am not the nomadic kind. Yeah, before you psychoanalyse me and start saying I need more freedom; I’ll have you know I like to remain rooted in a place. So for a while I’d been examining this homelessness feeling the way one would hold up a shining crystal against light. I’m afraid I can’t figure it out.

“Home is where the heart is” is a tired old cliché. So where the hell is my heart? There is a home back in Bengaluru. Every light bulb, every curtain, every curtain-rod, every mirror, every paining ...well we’d picked it up with much excitement the way a magpie collects shiny objects and puts it in its nest. Now I don’t live there. And when I visited to say hello to my tenants – there was no sharp jab of emotion. Yup. Not even a stinging behind the eyes, no lump in the throat...not even a sliver of nostalgia. Sure – it was the same lights, same curtain-rods, same ruby red tiles on the kitchen floor. But it was different. It had someone else’s touch. Someone else’s aura. It swelled with the memories they were making each day – maybe having coffee in the balcony; or listening to the wind chimes. 

This current place where I stay is turning out to be permanently temporary. It came furnished. I added my personal touches – books and dvds lying about; a vase balanced precariously on a window sill, a kitchen pantry overflowing with lentils and pulses – just in case the world ends and I don’t get on the ark – I can at least have rasam while aliens invade. As usual, the minute I get out of the house, I can’t wait to get back – to perch myself on the sagging sofa, plop a bunch of pillows for the back and pick up the paperback lying nearby. My routine is as fixed as the scene outside my window. Yeah...this is my home for now...it’s a bit too cozy and cluttered and I’m quite fond of it. But still, the wings beat and beat against the bell jar.

But, I believe I kind of got the answer...at a place that I’d visited on one of my India trips. At a sleepy village that’s growing into a town – kind of like a teenager going kicking and screaming into adulthood. Bullock carts and tata sumos shared parking space. Some of the important streets were tarred. Some were mud roads, baked well under the Indian sun. Youngsters zoomed around in bikes, wearing flared jeans and colourful shirts with their college notes tucked into their trousers. Old men in frayed, loose shirts and striped drawers ambled about. A school bell went ding ding and shrill voices echoed everywhere, as if a knob had turned on the volume.

This lovely place is the home to an ancient temple. One old man with only two front teeth told me the temple was ‘thousands and thousands’ of years old as he rubbed sunna on his palm. Going by his leathered skin and the cataract halo around his pupils, it looked like he was a thousand years old. Then he rolled the viLedele, put it into his mouth and mumbled some more about the temple. He’d lost me – he was lost to the world. His eyes were looking into the past through some invisible time-tunnel...way back, back into his youth and childhood. Then he flicked the towel that was on his shoulder, dusted a stone bench with it and stretched out luxuriously. The sun was just right – very warm but not searing; it was a quiet afternoon with the occasional crow cawing to its relatives – indeed a perfect time to sleep. Why can’t I do that? I mused. Education, social behaviour blah blah blah had taken away so much freedom.

The temple, with Vishnu (Lakshmikantha actually) as the main deity, is at least five hundred years old (Vijayanagara era) in its present form – but it is believed that parts of the temple dates way back to 1000 A.D. I am not a temple-going person. In the newer temples – the opulence puts me off – the marble and granite and what not. And don’t even get me started on the crowd. But these ancient and remote temples are something different.

As I stood in front of this temple, with its soaring garudagamba and massive gopura, I felt I was at the threshold of a time warp. The sun blazed on the outer courtyard, but the soothing darkness of the inner sanctum and the garbhagudi held a strange welcome. If time could be imagined as a gossamer web – then it had been packed carefully, trapping the periods of the Vijayanagara era, the Hoysala era in its folds – and held tightly in this beautiful temple.

But at first, I had to do the pradakshine around the temple perimeter. Childhood memories flooded – the more pradakshines one did, the higher were the chances of teachers being benevolent in correcting incoherent papers. This temple stood on a huge area. The outer courtyard had a portico running all along. The portico had installations of the alwaars in black stone – the representation of the greatest philosophers of all times. The flagstones were hot and seared my bare feet. It felt good to feel this heat – after the frigid cold of the place where I stay. From every angle of the courtyard, the gopura towered over – with different carvings facing each of the four directions. Sparrows fluttered around, their cheep cheep puncturing the silence of a winter afternoon.

Having finished the pradakshina, I went into the cool sanctum. As is typical of Dravidian architecture, the sanctum has a lower roof, supported by many intricately carved stone pillars. Modernity meant tube lights, though, thankfully, only one was switched on. The tube light flickered constantly, illuminating the fierce stone dwarapalakas intermittently, bringing them to life. Inside, in the garbha gudi, Lakshmikantha was illuminated by the brass and silver oil lamps. The smell of jasmines, sugandharaja, camphor, til oil, sandalwood paste, agarbathi – somehow swirled together in the darkness and produced a thick silence...I could hear the ringing in my ears.

The priest, who was busy preparing the naivedye came in with two steel buckets filled with the prasada. We sat in silence, as he drew the screen in the garbhagudi to perform the naivedya rituals – his deep voice resounding around the stone pillars. For how many centuries were these Sanskrit words uttered, I thought, surely the air here must have recorded the sound vibrations somehow. Maybe if one had a different auditory system, one could hear the words constantly.

After the mangalarthi, we sat in the outer pillared courtyard. I rested against one of the pillars, the flag stones cool here – a place that had been used for communal functions for hundreds of years. Today, I shared the space with squirrels and sparrows. The priest came with the prasada, and as is the custom, served a dollop on the palm. The first round was puliyogre and the second round was mosaranna. And I guess everyone knows that no matter how hard you try, you can never achieve the taste of a temple prasada.

I remained at the courtyard for some more time. Not because I am spiritual or devoted in that ritualistic way – but because I was surprised – the beating of the wings in the bell jar had stopped. I could imagine myself sitting in the ancient kitchen of this temple, bent over the wood fire, preparing a prasada. I could imagine myself stretching out like that old man, and finding a comfortable place for a snooze on the portico. Maybe if I got bored, I could move on to the next ancient place. I looked at the piece of sky sliced by the garudagamba. I ran my hands on the rough flagstone on which I was sitting. I finally understood the restlessness. I don’t have the courage or inclination to forgo my creature comforts. But deep down, I am a mental vagabond.

Making A Song And Dance...

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If you, like me, came out of the cinema hall after watching Basic Instinct, and thought ‘Wow! What a wonderful soundtrack!’ you know you’re a misfit for life. Sure, there was a woeful shortage of underwear and the plotline was as thin and stretched as Stone’s lycra ...but damn! The music...the music!  So as a misfit, you always fall in a third category in all logical divisions of the world.  



See now, there are those who can dance, and those who can’t. I belong to a third category – those-who-think-they-can-but-really-can’t-and- don’t-give-a-damn. If there’s a shortage of dancers in your troupe and you need someone to fill a spot in a hurry...I’m your best bet. Oh...not that I promise to keep rhythm or step, or even be graceful. I’ll just be there...and do my thing. As I’ve mentioned elsewhere in this blog...organised dance to me is jumping from Point A to Point B and clapping my hands.

I realised I have this knack to ‘dance’ way back when I was school. I don’t know how or why I was selected for this group dance competition. At home, when I broke the news excitedly, Amma mumbled something and turned away to face the stove. Even as I watched, her shoulders began to twitch vigorously. Humpph! Anyway, I was to attend ‘dance practice’ every other evening at a friend’s place. I felt important.

We were to dance to a Marathi song. It was something about fisher-women or groundnut sellers...I don’t know. All I remember is jumping and leaping about the floor a lot. Now, practicing in the house is something, but wearing the costume and going onstage is something else. Try as I may, I can’t remember the final performance. My mind has blocked the memory completely. So I don’t know the kind of impact I've had on young ones watching the performance.

Unfortunately, for some reason, I was never given another chance to let loose the dancing spirits. In a wild moment of defiance, I did think of a solo performance but my class teacher informed me that ‘all slots had been filled’. ‘Get into essay-writing child,’ she goaded without meeting my eyes. Childhood passed on without another opportunity to throw about the limbs.

And just when I thought I’ll probably never save another dance group, the request came in. But by then, I was working. Responsible adult and all that. I was acutely aware of my social obligations towards mankind. Should I really inflict my dance moves on people?

‘Please, please...we are short of one person for a good dance,’ said the other two girls. Now...for the love of sistahs  I had to do this. This was in the US. The three of us gathered at my place for practice. Only one of the girls was trained – she moved like a gazelle. The other one was not bad either. She was stiff, but she had an innate rhythm. I...well. They struggled over me.

The song was a bollywood remix. The ‘leader’, shocked at my springing about like baby monkey, screamed, ‘No! No! Not like that. You must FEEEEEL the words. Listen to the lyrics, S.’ But to no avail. Then she decided to use some psychology. ‘Ok, look. Imagine you are singing this your favourite hero. Who is your favourite hero?’

‘Pierce Brosnan,’ I replied without batting an eyelid – fresh from his latest James Bond ventures.

‘No! No!’ she stomped her feet. ‘You can’t sing Hindi songs to Pierce Brosnan. Tell me a Hindi hero you like.’

‘Hmmm Sanjeev Kumar!’

‘Uffff...someone alive!’

‘Rajesh Khanna.’

‘Oh my goddddd!’ She yelled. Rajesh Khanna had retired by then. ‘Can’t you think of someone contemporary?’

Those were the days of hairy heroes yelling and screaming, jeans pulled to their armpits and shapeless sweat shirts in primary colours. And Shabbir Kumar for playback. I shuddered. ‘Okay. I will think of a young Rajesh Khanna,’ I pacified her. I’m flexible that way.

‘Uff. Okay. So a YOUNG Rajesh Khanna comes in front of you, okay? You both are in a beautiful place. And you have to sing this song.’

Yeah right. A young Rajesh Khanna and I are in a beautiful place. And we are to waste time singing songs. But I held my peace. It was a hypothetical situation after all. I mean I have an amazing grip on reality at all times.

We practiced and practiced. The day of the performance, we went about shopping for ‘costumes’. We were to wear black tees, black jeans, and I think bandhani dupatta and some glitter makeup.  As we gathered on the ‘performance area’, I looked at the audience. Poor sods who’d come to celebrate the New Year, stuffing their mouths with samosas and holding paper cups with coke and pretending it was champagne (it was a team building event).  How innocent they looked – unaware of the impending horror.

‘Assume position,’ the leader hissed.

We were to crouch on the floor, and kind of spring up when the music started. ‘It will add to the build-up,’ she’d figured.

Oh well. I crouched. And crouched. The tape got stuck twice. ‘Let’s not crouch,’ I said, while crouching. I mean you feel silly after a while, kind of checking out the dusty carpet on all fours while a samosa-munching crowd watched. But she was adamant. Finally the tape got going.

We sprang up to the music and after that, I quite don’t know what happened. It was all a blur, except I remember dancing enthusiastically, not wanting to let the girls down. I did miss many steps, and found myself out of my formation – but going by the audience reactions – they were bent over, howling – I figured I was doing okay. Someone had recorded this performance. It looked like an exotic fusion. The other two girls dancing gracefully, with me throwing in lethal Chuck Norris moves. Yup.  Delta Force meets Jhanak Jhanak Payal Baaje.

You’d think that would put off someone with an iota of decency to stay away from dancing. But I’m a misfit remember?

Many years later, there was a celebration in my company. We were all taken to Palace Grounds (Bangalore). And a surprise announcement was made. Daler Mehandi would lead us. My friends were largely non-dancers:  the sober ones who wanted to stand aside and observe the proceedings. Of course they were not made of stone - they’d clap in rhythm. But me?  I refused to allow past experiences come in my way. Huh uh. So I barged into a group of other misfits. One of the ladies stood still at a spot, but she was dancing with her neck – I mean she would shake her neck rapidly, followed by vigorous nods. It was not headbanging – but she was getting there. That was her version of dancing. And then there were the gentlemen who pounded out mean Java code by the day. They just did not know how to respond to the energetic tunes. But I could see it in their eyes – they wanted to do SOMETHING. So they did somersaults. That was their dancing. Hell, I felt right at home and jumped into the fray.  Suffice to say I squashed many toes, kicked many shins that evening. No one minded as such. Of course people pointed and laughed at me the next day but who cares? I had a better time than the shrinking clappers. Ha!

That was my last public performance. I can’t dance here at home...the floor is a flimsy laminate and I am sure I’ll crash through and land on the dining table of the ground floor flat – I’m on the fifth floor.  Now that’s where I draw the line. Property damage.



Dhoom 3 And Stream Of Consciousness

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Just in case you care - CONTAINS SPOILERS
Just in case you care more - this is actually more of stream of unconsciousness, hence the incoherent tenses.

Courtesy - http://movies.ndtv.com

The invitation to watch Dhoom 3 came from the unlikeliest quarters. A banker and a CA duo. The CA, we shall call her ‘B’, is known for her fierce scowl when she encounters anything farcical. The banker, we’ll call him ‘J’, B’s husband, is a sedate gent with a constant, wondrous expression about every new experience in life – pleasant and unpleasant. Both are erudite – nonetheless – when encountered with a visual spectacle such as a flock of geese flying across clear skies – J will remember and recite a poem, whereas B will count the number of geese.

We settled down for a night show of Dhoom 3. B was already emitting her fierce scowls. Given a choice she’d have curled up on bed reading taxation laws – but J was hell bent on inflicting this movie on her. We’d been warned by other Aamir lovers that Dhoom 3 is not for the faint-hearted. I was nonchalant – when you’ve watched movies like Hiss or, say, Salma Pe Dil aa Gaya, pretty much nothing can unfaze you. In fact, I was pretty sure I would even enjoy it – I was not expecting 2+2 = 4 logic anyway. 

The movie started. Ten minutes into it, I could hear B hissing. On the screen, Jackie blew his brains out. I cleared my throat. Surely now the social services will step in – foster the kid...errr... But what the hell, I watched a Hollywood horror movie where a father blows his brains out after abandoning his two kids in a remote cabin in a remote forest. The kids are taken care of by a ghost till the cops and services find them. Ha. At least our movie was better...I thought feebly. 

While I was thinking about all this...I realised the movie had moved on. Suddenly a bare-chested Aamir is in a swanky apartment. One can see his silhouette. Man those are some ears. Not that I’m mocking, mind you. My own forehead is like a plasma TV and the nose rises like a TV tower. But still, I mean...when other chiseled men stand shirtless, ears are not the first thing you'd notice, right? Remarkable. It's the bowler hat I tell you...it's a bad idea...but of course...he’s a magician and he has to pull out stuff from the hat, I surmised. Or...or...maybe he’ll steal paintings, I thought. Thomas Crown affair and all that. Then suddenly he was scowling at me and running down a building with currency flying all around...and no one looks up at this man-in-black running off the wall of a bank. I hear a grunt from B. She starts her tirade. ‘Why would you not cover your face if you've committed a serious crime and are escaping in a public place?’ she questioned me. There was no time to reply because Aamir was on a bike. ‘See!’ B said. ‘No traffic jam also. In fact no traffic on the road.’

After much zipping around, Aamir now disappears in a basement car park or so. ‘So he’ll quickly discard his clothes in a bin, enter a lift in totally uncool clothes and escape. Maybe they’ll give him a wig too,’ I guessed. And bam! I was proved wrong. Instead of remaining out of sight, Aamir is now driving on a rope or something. To get to the next building. Next to me B has started tapping her foot in exasperation. Oh dear, I thought. As it is in the US, cops have become so jumpy and trigger happy. They’ll shoot Aamir down for sure – for endangering public life and property and for generally pissing them off. Maybe it is a movie of reincarnation I thought; after all, one of the main protagonists is about to die right in the beginning of the movie. But how would Katrina Kaif fit in, I mused. Maybe she was the medium or something. Oops...by the time I’d thought of all this, the movie had progressed. Turns out the cops had taken their sleeping pills that morning – they were paralysed with shock by this little man-in-black on a bike, driving on a rope. But I must have missed something because now Aamir was in some kind of an iron ore factory tap-dancing very angrily. I hear B cluck her tongue. From the corner of my eye I could see her leaning forward and staring at J – who sat with a wondrous expression. ‘It looks like J will start tap dancing,’ B said a bit loudly. J turned and smiled at her wondrously and went back to Aamir.

B and I exchanged notes about old colleagues and the political situation in the country. Ah. On screen, Katrina has appeared. In some kind of a trench coat and other ill-fitting clothes. I had lost track of the story a bit and was determined to keep up. Okay so Kat has come to attend an interview for the role of liquid electricity. What job was it, I wondered. A boiler expert or something? No! No! Got it! She was supposed to be a dancer. And a singer. And a trapeze artist. Straight away I knew she’d take off her weird clothes. Yes! Ha! The song started, and I truly, truly enjoyed her dance...she was spectacular. B agreed. ‘But look at her thighs, Shumona,’ she said. ‘How can a trapeze artist be so sturdy? She does not have the bone structure to fit this role.’  I looked at B, her specs perched on the bridge of her nose, her poor brow furrowed deep, her exacting brain circuits fusing out at so many illogical equations they were being subjected to.

But I had other fundamental questions. Why is a trapeze artist needed in a magic show? Wasn’t he a magician or something. No, no. Why will they call it the Great Indian Circus then? They’d call it The Great Indian Magic Show. Maybe they got a bit confused...like the way they got confused between trapeze tricks and striptease. Maybe I got confused. Whatever. The important thing to keep in mind till the end of the movie was that Aamir ..well something about Aamir and a bank. I thought I was back on track.

B hissed some more and settled down. But not for long. We were transported to Mumbai. Abhishek is driving auto very angrily. B and I discuss increasing auto fares as Abhishek and Uday kind of fly around in awkward angles. Right. So now, suddenly these two are in US of A. I know a lot of rude things have been said about Uday and Abhi...but you know, Uday’s ‘performance’ has been consistent in all the three movies. I wonder how he does it – maintain that whine. And it looked like Abhi and Aamir attended the same School of Scowling lessons.

After some more time, while I was thinking of my impending semester results, another chase had started. Aamir is encased in leather again...but they’d forgotten to give him a crash helmet...he was in some ordinary clear helmet – the kind I used to wear while driving my kinetic honda. Maybe they wanted us to appreciate his facial expressions, I thought. He was gnashing his teeth and wiggling his eyebrows. Overhead, Abhi was hanging from a helicopter taking aim. I had a vague recollection about a clown in one of the scenes...damn! I had to pay attention now. There was definitely something about a clown. And some blueprints. Or was I dreaming? I drifted off again as a song started and Kat and Aamir are swinging about and hanging upside down and all that. I mean the trapeze act...not fifty shades type. I kind of wake up ... Abhi is yelling at Aamir because the latter does not have a bullet wound. Both are scowling like anything now. I drift off. And I suddenly hear B exclaim in horror, ‘Oh god there are two of them.’ Yeah on the screen there were two Aamirs. One was scowling while the other had a weird tick and smile. B is almost slapping her forehead.

‘What does this all mean,’ I wondered. Doubles. Magic. Was this The Prestige meets Thomas Crown? You see I was still thinking that the bowler hat was significant.  On screen, one of the Aamirs continued to rotate his neck and bare his teeth. Maybe it is sci-fi, I thought. One Aamir was some kind of a clone who was a malfunctioning part-machine, part-human entity. I turned to discuss this possibility with B but her stare stopped me from uttering any word. Mercifully intermission came on.  

During the intermission, there was a trailer of Gunday. When I saw Ranveer and Arjun (and so much of hair between the two of them, really) – I thought arre wah! So what if the SC has passed a dubious judgement...Indian Art has become so liberal. I thought these two boys were the lead pair – such was the chemistry. But then they showed Priyanka and it was back to clichéd triangle. And I bet it is the cinemascope effect or maybe I was drifting off again...really her lips looked quite huge. It reminded me of the time when I had tried some dubious lentils that resulted in an allergic reaction – my lips puffed up and I had to take antihistamines. I’m told that’s in vogue. The puffed lips, not the antihistamines. I turned to B to tell her this – but she was emitting that fearsome scowl and had reached the end of her tether. ‘In what angle do these two hairy gentlemen look like bongs?’ Of course I wanted to tell her about poetic license and all that...but thought the better of it.  By then Aamir was back. I mean the clone with the tick.

I did not follow well enough...but the clone wanted to go on a giant wheel and Abhishek had grown a beard. And the clone was in love with Kat and he sang a song about that. I figured the clone was human only...a twin who had been hidden from the world and all that. While I tried to figure this out, the Scowling Aamir was in a wheel chair going to a bank. And the bank people thought Aamir is actually Jackie grown old. By then it was late in the night, and I did not know what was going on in the movie, and what was going on in my head. There must be at least 4 feet height difference between Jackie and Aamir. How such a mistaken identity is possible? My head lolls and I jerk awake because B has started her foot tapping again.

Some final chase is going on. Both Aamirs are out in the open. They are trapped on a boat or something. Both are on their bikes, one Aamir is scowling the other one is doing neck rotations. By the clanging background music, I know something stupendous is going to happen. I thought rotor blades will come out of the bikes and the bikes will become choppers and they will fly away. B too said as much, though her tone was more acidic. But what they showed was simpler – like both the bikes are joined by some tubular mechanism. It was a lot less dramatic. I know a lot of people sniggered. But if Bond’s boat can become a car, and vice versa...why is it not possible for two bikes to become one for Aamir?

But the chase ends because it is night time and the cops lose them. And people also have to sleep. So I thought the movie ended...like what next...surely the twins would have fled the place after such a close shave. I was about to collect my handbag and finish off the popcorn when I realized the movie is not yet over. The twins did not take advantage of the 8 hour lead escape time they’d got. They show up on a dam in broad daylight. And Kat is also there as a bargaining chip since the twin with the tick loves her and all. I must've missed a MAJOR chunk...how did the cops know Tweedle Dee and Tweedle Dum will turn up at the exact same spot? Anyway, the scowling Aamir meets scowling Abhi and says take this USB (or something to that effect) which has all details of my evilness and let my twin brother go. Then after a lot of conversation, the twins decide to jump off the dam having expended all the stupidity they can muster. I thought okay now movie is over and still it is not over. Now Kat is doing the swinging to keep the circus alive or something. I begin to quake with fear thinking now she is going to get on a bike and once again the movie will start. But the credits started to roll, much to my relief. Makers of Dhoom N...if you are insistent on continuing this series...please make sure all future cases are solved by ACP Pradyuman and Daya. Thank you very much. 

It’s been more than a month...I don’t know what happened between B and J. I hear J is out of the house a lot these days saying he is training for a 10k. And B, who revels in Thomas Hardy and Tagore’s verses, has taken to watching Diya Aur Bati Hum.


Reminiscence - A Short Story

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I was pleasantly surprised when Janaki Nagaraj - fellow blogger, poet, runner - asked me if I'd be interested in doing a 'guest post' for her. Of course I jumped up and down and clapped my hands and said yes, yes. And then I was stumped. What on earth shall I write about? Especially since I'm a guest, it'd better be sensible - unlike the rants here on my space. So I figured I'll give her a short story. It being the day of love and all ...yeah I wanted to write about romance. But it's not the regular boy-meets-girl stuff. Definitely no lahu is muh lagaoing. I don't think I can write romance that way. I mean writing romance requires an eloquence; a finesse. I certainly cannot write convincingly about racing pulses and stolen kisses and hot breaths. Bet that would come out comical. Romance in my mind has a different connotation, a different colour. It is so different that it is unromantic if you ask me.

So presenting Reminiscence - run over to JANAKI'S BLOG and read it. And if it has moved you, irritated you, disappointed you, bored you...do leave a comment :)



A Fortnight Of Letters

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I never figured receiving a handwritten letter can make one so hand-clapping happy. I mean I’ve never had anyone write to me and post a letter – ever. When I say write, I mean actually write – bending fingers to hold a pen and all that. The only posts that come in my name are bills, coupons and catalogues. So imagine my delight when I spotted the letter, hiding shyly behind a catalogue for holiday cottages. Of course I’d been expecting it – but still.

My name and address was written in a tiny scrawl. I opened the envelope and two sheets slid out – words filling them in a slightly slanted, tightly loopy style. I read the letter twice. There is a certain magic in reading a letter written by someone you’ve never met. But I know her. We are a part of a blogging group – and although I’ve never heard her voice or her laughter – I know Janaki as if we’d been next door neighbours for decades. The letter itself was general banter, yet it sealed a bond. There was something so touching in this act of writing a letter. She’d taken the time to get a pretty letter pad. She’d have probably sat on her sofa chewing the pen cap, her cats rubbing themselves against her knee, as she thought ‘what shall I write?’ And best of all, she ended the letter in Kannada – she’d made some chutney pudi for me – but was unable to send it...so I have a standing invitation to visit her. That had me laughing. Of course she is the chutney pudi type. Because I am. I think giving chutney pudi or any pudi for that matter is the pinnacle of friendship.  We two Bengaluru hudugis – had we been in the same city – we’d be swapping bisibelebath pudi to saarina pudi to uppinakayis. I’d have put sandige on her terrace.  We’d have lounged in each other’s verandahs and loafed aimlessly. We’d have done our 5k runs together.

She did send across a lovely gift – coasters shaped as 5, 10, 25 paise coins – because she said “we hold special value to some old things...some memories attached to them”– and it is so true. It did bring back fond memories when we could get many things for nAllakkANi...and you shopped in your own home-woven butti...and the 25p change was so crucial in BTS buses.


This letter-writing thingy was an initiative of this blog group I’m a part of – Indiblogeshwaris is a boisterous group of women bloggers. Generally I’m wary of groups. It is inherent human nature to form groups, and before long hierarchies emerge. With hierarchy comes power play and twats making up silly rules. And I inherently abhor structure, given my antisocial streak. It is a wonder how I finished institutionalised education, and survived in a career. I was a part of a blogging group very briefly – but slunk away quietly – really, group interaction is not my cup of tea...even though a gentleman from the group, a complete stranger, sent me a poem professing his adoration of my smile, and another gent vehemently said he wanted to be ‘frenz’ with me because ‘ur fase is intelizent’. Be still my heart I thought, but I’m a lone wolf when it comes to writing, despite adoration and frenz.

So it was with much hesitation that I stepped into this group. And I surprised myself – I felt right at home. Because the group is structureless, except for a High Priestess. And more importantly, one can be as uncivil as possible – and the best part – no posting your own blog links and pestering people to read it. One fine week, the High Priestess decided we must do something even more fun than we usually do. We decided to set a letter chain rolling – it had to be a hand-written letter...and we could send gifts too. Woohoo.

Now, it was my turn to write a letter. There was no doubt who my recipient would be. Susan. She’s doing her Phd (or is it already done, hon?); she’s been a popular teacher; more importantly, she loves Andy Williams. I initially thought of putting together a card for her. Letter would be a bad idea, I thought. I mean what do I write to her – Janaki The Poet had managed to write some lovely stuff. I was sure I could not write anything sensible. The only thing that came to my mind was, ‘Hi Susan, it is raining here yet again, and my street is underwater. Bye, Susan.’ But the card seemed a bad idea – what if Susan thought I’m a lazy bum who could not even write a letter – she being a teacher, she’d definitely frown on such slothful behaviour.

Ah. Revelation when the pen hangs over the paper. Turns out if one is anti-social, one is also narcissist. Just like the rain, my writing wouldn't stop. Before long, I’d filled up at least 3 A4 sheets back-to-back. I enjoyed shopping for a gift for her. I settled for a single marble tile with a Rajasthani painting. There was a
permanence about this marble tile that I associate with Susan – solid, stable, always there. Also, just like the painting, there’s a beauty about her – in her smile (I’ve seen this only in her photos – but it’s the smile that comes to people who are quick to laugh), in her intelligence and in her sensitivity to human conditions (I know this because she wrote to me about her thesis – it blew me away). What an unthinking megalomaniac letter I’d sent to such a lovely person, I fretted. No – what do you like Susan, or what do you want from life Susan. Oh no. It was all Behold Susan – know this about me – and this, and this, and that. Although Susan was quite charming about the whole thing, I suspect she’s planning to move continents just in case I land at her doorstep – you never know with someone like me.

And just when the letter receiving and sending was all winding down and I went back to curling up on the sofa with a paperback, shamelessly neglecting my studies, an email came from a friend with whom I’d lost contact. Nearly two decades had passed – I nearly fell off the sofa. So when we caught up, and I encountered the question, ‘What have you been up to in these 20 years?’ I was flummoxed. Turns out I have no clue where the time went. This is what happens if your vision is only for the day, and you live from book to book; breakfast to breakfast.  Yeah...that's about the only structure I can tolerate. That's why this blog is called 'This & That'.

© Sumana Khan - 2014

Interludes

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Lilies on my windowsill


In the silences 
of
The late morning 
And of 
The stupor of the afternoon
Or even of 
The twilight made purple 
by a swollen moon 
I cease to be flesh and skin
I cease to exist within
And become

Just the breath -
A puff of air

Caught between
the tick and the tock

Caught between
the falling petals 
of 
the fragrant lily

Caught between
the rustling pages 
of 
my unfinished book

Caught between
the beating wings 
of 
the fly ricocheting in the lamp shade

Caught between
the curls 
of 
the smouldering incense

And then
There’s the knock on the door

And I become flesh and skin once more

 ©Sumana Khan - 2014

Fenced

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I stand in the street, the wind lifting my hair and howling in my ears. The red bus in front of me blinks and pulls away with a metallic grunt. I once had a pencil box that looked like the shiny red bus. It was a long time ago when people let me in and out of their hearts and homes freely. There were no fences for children.  Then I grew up and grew fat and became as brown as the earth – melanin and adipose are strong barbed wires – my smile and outstretched arms went unnoticed.   

The coffee shop across the road is a snow globe. A diorama of beautiful people, velvet hair, steaming cups, gleaming smiles, fretful frowns, folded news papers, gaping laptops and flashing mobile phones. I can feel the latte in my throat already. I make my way to the cafe and place my order with a smile; but it’s weak, my smile. It can’t cut through the fence woven from tightly pursed lips, furrowed brows and unseeing eyes. I sit in a corner just beyond the reach of the warm tongue of sunlight. Shadows make good fences.

Through the coffee mist and the double-glazed glass, the sunlight is thick honey on red and white checkered tablecloths. The man on the radio sings of heartbeats and heartbreaks. In the days of the pencil box, I would dress in the colours of the earth - orange and blue and yellow and green to become one with the sun. Years later, when the fence grew around me, I mourned in black and blue. It is a sea of black and blue inside the cafe. The colour of corporate success for the thin. The fence camouflage for the non-thin.

The black watch cutting into my wrist blinks 8:49:02 AM. The sunlight, having failed to lick my corner, turns to kiss the man in the black suit and white shirt and red silk tie. His eyes are green glass marbles held before a flame. I’ve played with marbles in the days of orange and blue frocks. I played with the boys and our laughter fell about on the street like raindrops. I’d scoop the marbles and bunch them in my frock and carry them home once the sun slid behind the temple cupola turning it black. And then the elders - they said my blossoming breasts and my legs and everything in between needs to be fenced. Yes, somewhere in that torso was an endangered species called Honour that had to be locked and protected. Penned in, I’ve watched the land of freedom - the boys so unbridled and unshackled.    

My stare has traveled on the beam of sunlight that dances on the man’s marble eyes. Perhaps he feels it like a lash on the cheek, this unseeing stare of mine, and turns to me. I smile, he looks away. His fence is a band of gold, coldly circling his finger. He touches it, still looking away, turns it this way and that as if adjusting a knob to turn off my smile. Embarrassment scalds more than the latte.  

I extricate myself, latte and smile unfinished. I must rush to my place of work. A day-care for little people under three. It is fenceless and the smiles are free.

©Sumana Khan - 2014

The Triumvirate

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© Sumana Khan  - 2014
It was a handsome tree. Tall and rough; too broad for a full embrace. Its sturdy, gnarled branches started low and spread high and wide embracing the sky; lush and well-hung with ripened fruits. Whenever the tree made love to the wind, it dispensed the sour, tangy aroma of its fruit. The tree stood by a lake; a lake so still, it seemed as if the tree and the lake could not take their eyes off each other. The tree and the lake had been this way for over three centuries.

The romance of the tree and the lake had been well-hidden by a hill. A hill with a formidable, serrated silhouette – it did not entice the adventurous explorer with the promise of green forests full of wondrous species. Oh no. This was a hill full of hardy boulders, home to scorpions and Russel’s vipers. For eons, during the summer months, the hill threw up the fiery red ball of an infant sun from behind the misshapen boulder on its right shoulder. As winter approached, the sun bobbed up gently from a cleavage towards the its centre.

The march of mankind was relentless and this grand, timeless tableau was never captured by an artist’s brush or a poet’s words. Not even when the white men from an island put a tarred road a few kilometres away. Yes, even then no one noticed the clandestine meeting place of the hill, the tree and the lake.

Indeed the three were the triumvirate of a timeless world – a global one of sorts – even before the word ‘global’ had found its modern meaning. The tree was no ordinary tree – it was famous in the non-human world. Birds in Sibera knew of this tree below the ugly hill; it was their second home. They’d swoop down in thousands in time for Deepavali, perching on every branch and twig, outnumbering the leaves on the tree. If one had the good karma to see this spectacle, one would debate – were the birds green and the leaves grey? On Sankranti day, precisely as the sun rose from the shoulder of the hill, the birds would lift in one wave, as if a fisherman’s net were thrown in air, and disappear over the clouds with promises to return made in their bird song.

The lake was no ordinary lake. She was actually a great river – born below the earth capped by the hill. Back when the tree was young (and a bit weak), the river, a mere sweet trickle dancing over the boulders, had fallen in love with the tree – there was a certain pride, something intimate about this tree’s outstretched branches. The river had made its way to the tree, pooling around it, nourishing it and nourished by it, only to disappear below the earth again and emerge down south in a roaring torrent, feeding an endless vista of paddy fields.  

Decades after the white men returned to their island, progress was rapid, everyone noted. Towns crept closer and closer to the triumvirate. The narrow road laid by the white men was now deemed arterial. It had belching iron monsters hurtling by and soon, it was clear it had to be widened. An engineer came to survey. He was no ordinary engineer. He was a gold medalist from the state university. Now they don’t give away medals to just about anyone. The engineer had a knack to think ‘out of the box’.

He said, yes we should widen the road. But that’s a temporary solution. Draw a railway track here, and that’s a permanent solution. Look at that barren hill, he pointed out. Break those boulders, and you’ll get your jelly stones for the repair work. It is cost effective, he reported. Bravo! Bravo! The newspapers applauded.

They broke the hill. Oh they broke the hill mercilessly. They brought machines that stabbed and drilled and pounded and ground. Every proud boulder that had stood watching over the horizon for centuries was now lying in a million pieces on the railway track. Yes, the boulders that had tasted only the purest of rain were now showered by urine and excreta from passing trains. Sure the hill fought back – some workers were killed by dislodged rocks; the vipers took care of some others as did the scorpions. But all its defenses were no match for the determined humans.

As the hill crumbled, the tree and the lake no longer had shelter. An important businessman glimpsed at the pair. He was no ordinary businessman. He was what they call a v.i.s.i.o.n.a.r.y. This was where he would set up the factory, he decided. A factory where he would manufacture Something Important For Modern Life. It was a stroke of genius everyone said. With the railway track and the road just across, he had cut down his transportation costs. Bravo! Bravo! The newspapers applauded.

He set up his factory quickly. It let out black smoke through towering chimneys. And boy was he glad about the lake – so convenient for waste disposal. Yes he had agreed to setup a treatment plant - but he had put that off for three years. He promised the government that he’d do it as soon as his business turned over profits. Of course everyone accommodated him. He was generating jobs. And also, he had pulled up the real estate value of the place singlehandedly. A private builder marked up sites and set up the place for sale.

The birds did not return after the Year of The Factory. The lake, filled with filthy froth and foam, bubbled and hissed around the tree. Her fish, her algae, her tadpoles and all the life she held in her liquid womb were floating carcasses. The poison went into the earth, fed the paddy fields, entered the seeds, reached homes and eventually blood streams. New diseases emerged. The doctors were puzzled. These were no ordinary doctors. They had studied the human body for ages. This is all because of stress, they said. Exercise more, they said.

The lover of the river, the mighty tree, stood gauntly still drinking the poison from her. Its leaves turned a diseased yellow, and one by one, branches trembled and fell away. One fine day the businessman shut shop. It was not viable he said. He sold the factory to the real estate man. The real estate man figured he could make at least four more sites if he closed the lake and chopped the tree. The lake was now a stinking puddle anyway, and the tree was clearly rotting away. Not a big problem. A few loads of sand and an electric saw should do the job.

In two weeks, it was as if the tree and the lake had never existed. After years of relentless drilling, the hill too had disintegrated – it was a mere stump compared to its past glory. But that’s the problem with humans – they see only the surface. They had no idea what was brewing beneath. Beneath the hill they had plundered. Beneath the lake they had choked. Beneath the tree they had hacked. They did not see the fracture line on the hill that seemed to disappear beneath the earth. Indeed, the fracture had reached a certain meeting point - where the roots of the tree had snaked to the river for the first time. The river now flowed like tears on the senseless roots. The triumvirate, injured, battered, but not dead... yet. It was time to fight back.

Houses were being built on the sites, and they needed jelly stones. Come to me, the hill beckoned mockingly. Of course the humans would bite the bait – there were plenty more boulders waiting to be powdered, and plenty more monstrous houses to be built. Every time they drilled, the vibrations went deep down, shifting a fault line ever so delicately.

A decade went by. The hill was gone. Completely. The place was now an affluent neighbourhood – the city had grown around it. It was a prosperous city with tall, important buildings and potted plants.

It was just another ordinary morning when the fault line grated. The city was razed in a matter of seconds. Death in thousands. The geologists came running. They were no ordinary geologists. They’d listened to the earth’s heartbeats for years and years. They shook their heads and said this place is no good. The aftershocks are too many.

People moved away. Who’d want to live under such a death threat? Every other day the road shifted swallowing cars. Or someone would wake up to see a sinkhole under the bed, hearing the whisper of a tearful river. Soon, the prosperous city became a rubble of a ghost town.

The fault lines are still rubbing. The hill is rising again. Slowly. Maybe a millmetre a year. The river, purged off her poison, is gaining strength. But she won’t come up anytime soon. Oh no. She has to bring her timeless love back to life. The roots, yes, they are stirring under her ministrations. On the day when you and I are mere dust specks, the triumvirate shall emerge again...just as it was meant to be.

 © Sumana Khan  - 2014


Mr Xavier's Guitar

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Courtesy - Clipart
It’s funny how some people just peep into your life...you know they kind of stand at the doorstep, have many conversations, and before long, ways part; leaving you with a warmth that will remain inside for a long, long time. That’s how I know Mr Xavier.

My first job had taken off – but before it could touch cruising altitude, it dived and crash landed. It was a small, vibrant team and most found their way out without any problems. I stuck on – mainly because I had no clue about 'what next'. In such ‘no clue’ moments (of which there are many) – my policy has always been ‘no movement is movement’. Yeah, I’m the greatest worshiper of inertia. So far, I’m alive...so that’s good. It was weird, a bit depressing even – the silence that had befallen the once boisterous workplace. I think only a few of us remained; perhaps 3-4 of us; we moped around quietly in our corners.

I think Mr Xavier was hired around that time, mostly in an administrative role. He was an elderly gentleman (maybe in his late fifties) with a quiet, unassuming demeanor – a small man with hair neatly slicked backwards, wore specs with a largish frame. I almost always remember him in one of those sleeveless sweaters – maybe the a/c in the office troubled him. On most days we’d exchange a polite hello and make small talk about Bangalore. I think he stayed somewhere near Frazer town...so we’d talk about BTS bus service and stuff like that. He had a deep bass voice – clearly meant for a choir – it rolled about the quiet office whenever we spoke. 

It so happened that one afternoon, as I sat intently programming a query, the power went out. It usually took a couple of minutes for the backup to kick-in, and it was only then that I realised I was alone in the office. Well, I mean Mr.Xavier was out there in the reception area – but my other colleagues had left. I figured I’d leave too – but it was pelting rain outside – and that meant the buses wouldn't stop. The backup came on, and I decided to finish my SQL. I heard Mr.Xavier sniffling – poor man, the weather and the a/c must’ve aggravated his sinus, I thought.  I brewed a cup of tea for him, got myself a coffee and went to the reception.

Mr. Xavier quickly wiped his eyes and without looking at me, he said a thank you. I figured he was running a temperature and asked him to leave for home. Of course he was in no shape to take a bus. Maybe I should dash outside and engage an auto for him. Or at least go to the medical store round the corner and get him some Crocin. Mr.Xavier shook his head...as if shaking heads would stop me from doing what I wanted to do. ‘No, I am fine. Sit, have your coffee,’ he said. His voice shook. It was only when he spoke that it hit me – Mr.Xavier had been crying.

I fidgeted. Should I leave him alone? Seeing anyone cry makes me uncomfortable...but seeing an elderly man cry is absolutely unnerving. For how long had he been crying? Sit, he said again.
I sat on the sofa facing his reception desk, fidgeting some more. I eventually asked him if there was anything I could do to help him. He shook his head a couple of times. ‘I lost my son.’

At first it did not sink in – the ‘lost’ part. And when it dawned, it turned my insides. I did not want to listen to Mr Xavier. I did not want to see his face twisted in so much pain. I did not want to see his dripping, bewildered eyes. I did not want to hear the tremble and quake in his usually comforting voice. No, no. I was 25. All this happened on another planet. In my world there was only music and stories and turbulent romance.

But Mr Xavier continued. It had happened a couple of years ago. Mr.Xavier’s son – my age, or slightly younger – had met with an accident while returning home one night. His friends had shifted him to a hospital – but he could not pull through. Mr Xavier’s boy never came home. He was a brilliant boy, Mr Xavier told me. Very intelligent, was training under a CA if I remember correctly. He was obviously the pride of the family.

Mr Xavier spoke and spoke. He relived the night he got the call over and over again. He spoke of all the ‘what if’ scenarios. He spoke of sitting in the police station. He spoke of one inspector who treated the bereaved family with much kindness. He spoke of his wife, his younger daughter (and probably another younger son). He said he was sorry to have unburdened on me. ‘You are still a child,’ he said shaking his head. I wanted to tell him to talk as much as he could – but I did not find my voice or words. As a father, he had to hold it together at home. Yes, he’d lost his son – but he still was a father – he still had his two other children. His wife had almost collapsed – it was only now that a dull sense of normalcy was returning. The daughter was in her second year pre-university. Life had to go on. Mr Xavier had come out of retirement to become the breadwinner again. Even so – how difficult it is for a man to grieve. Society and culture puts so much burden on men – as if they have lesser tear glands and steel hearts that can’t be squeezed when faced with such terrible situations.

When we left for the day – the mela at the bus stop did not bother me. It usually was the case on rainy days. The footboard travel did not bother me either. These problems all looked too trivial. I’d grown up a lot more in those few hours.

After that day, Mr Xavier and I had our tea together almost every afternoon. Some days he’d talk a lot about his son. But most days he’d talk about his daughter or something else. I remember once we had a detailed discussion on rasam. He insisted that without a pinch of garlic, it is no rasam. I swore by hing and mustard seasoning. By the end of the unresolved debate, at least I was very hungry.  When Titanic was released, he told me his daughter has gone bonkers over Dicaprio. He said day and night, night and day he heard only ‘my heart will go on’ and that it was quite a relief to sit in office. I laughed. He asked me if I’d watched the movie. I said no and kind of changed the topic. There was no way I’d tell Mr Xavier that a friend and I decided there was no point in watching a ship sink, so we watched The Full Monty instead.

One restless day, there wasn't much work to do and I prowled about the empty office like a man-eater. Mr Xavier must’ve got bugged with the stomping and asked me to work on some physics problems for his daughter. I think I made the office boy buy a notebook and in no time, it was filled with motion physics equations. Mr Xavier laughed. He said I could make more money selling exam notes. Maybe you should write a book, he said. So we chatted about books and music and instruments.

So what if you can’t sing? You must learn at least one instrument, he said. You won’t understand now, but if you can make music, you will always have a balance in life, he said. Any new idea excites me (even now) to ridiculous levels. After a detailed discussion, (so intense that it seemed the world would end if I did not have SOME instrument in my possession by that evening) – we settled for the guitar. Mr Xavier laughed so much when I suggested saxophone. He chose the guitar over the piano – because guitars were more accessible and portable. So will you come with me to buy the guitar? We can go right now, I urged. Leave it to me, he said. Guitars can’t be bought like tomatoes.

Ten days later, as I sat in front of his desk for the usual afternoon coffee, Mr Xavier, the smooth operator, brought out a guitar that he had hidden behind the table. Oh what a delightful, hysterical surprise it was!  He’d asked someone in the Bangalore School of Music to get it made. For once, I was absolutely speechless. They’d packed the guitar in a neat cloth case with a pocket to hold a couple of plucks and a tuner. The guitar is tuned, Mr Xavier told me, with the widest smile I’d ever seen on his face.. He’d even brought one of those slim books with large representation of the chords. First you learn to read the music. Then you practice the chords. Now, it is up to you, he said, still smiling. That evening, the bus ride was something. Someone even offered me a seat – and that was unheard of.  

I bought some books, and did practice...in secret...since my previous disastrous engagement with vocal music is legendary in the family. I’d return from work and sit on the terrace, read the chords by street light and go plink plonk.

Eventually my firm closed down. I got a job that took me to another end of Bangalore. Soon work expanded to fill every waking hour. I kept in touch with Mr Xavier sporadically – greeting him on Christmas mainly. Travel finally cut me off – from Mr Xavier and the guitar. I did take up the guitar years later. The new teacher said Mr Xavier’s guitar was perfect...just needed to be restrung. But the personal bereavement in my life meant I would not touch the guitar for a long, long time.  

It’s been over fifteen years since I met Mr Xavier. I bet his daughter has found her Dicaprio and Mr Xavier is a proud grandpa. We often view courage as something heroic – involving saving lives or taking lives depending on which side you are. But this ...what Mr Xavier showed...is courage. Grief is the worst acid – it can corrode your soul and just suck you in. Losing a child is unfathomable. Yet, even that darkness – to bring a smile on someone’s face – that’s courage for you.

I’ve got to finish this business. I’ve got to make music. As a good friend tells me, I owe it to Mr Xavier. And Mr Xavier if you are reading this – Thank You.


 ©Sumana Khan - 2014







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